Red.br. unosa | Signatura | Naslov ploče | Sadržaj/Repertoar | Izvođač | Trajanje numere | Izdavač | Zemlja | Godina | Kataloški broj | Broj matrice | Mesto snimanja/studio/lokacija/godina | Tip snimka M/S | Nalepnica (link) | Omot (link) | Prateći materijal (programska knjižica, itd) | Digitalna kopija | Fizičko stanje ploče | Ostalo (pečat, i sl.) |
101 | Folk Music Of The United States. Seneca Songs From Coldspring Longhouse. Recorded and Edited by William N. Fenton | A1. Gane’O’On The Drum Dance (A sacred ritual of thanksgiving. The opening songs) | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | The Library Of Congress, Music Devision, Recording Laboratory | US | b.g. | AAFS L17 | AAFS L17 A LCM 2000-69-RBI | S | Slika nalepnice A (plava nalepnica) | foto | Neoštećeno | Stara signatura: 625; The Archive Of American Folk Song in the Library Of Congress has, since 1928, been the chief repository in the United States for field recordings of American folk songs. | |||||
A2. The Drum Dance (Short songs with interpolated prayers of thanksgiving from the earth up to heaven) | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | |||||||||||||||||
A3. I’Yondatha – De’Swadenyon Quavering – Changing-A-Rib | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | |||||||||||||||||
A4. Quavering | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | |||||||||||||||||
A5. Quavering | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | |||||||||||||||||
B1. Quavering | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | AAFS L17 B LCM 2000-69-RBI | Slika nalepnice B (plava nalepnica) | |||||||||||||||
B2. Se’Swadenyon – Changing-A-Rib | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | |||||||||||||||||
B3. Bear Society Dance | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1941. | |||||||||||||||||
B4. Fish Dance | sung by Chancey Johnny John and Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945. | |||||||||||||||||
102 | Negro Blues And Hollers From The Archives Of Folk Song. Edited by Marshall W. Stearns | A1. Camp Hollers | sung by an undentified singer at Clarksdale, Mississippi, 1941. | The Library Of Congress, Music Devision, Recording Laboratory | US | b.g. | AFS L59 | LCM 2040 nečitko L59 A | S | Slika nalepnice A (plava nalepnica) | foto | Delimično oštećeno (proveriti) | Stara signatura: 626; ploča je crvene boje na jednom mestu ima crnu mrlju; ima programsku knjižicu; The Archive Of American Folk Song in the Library Of Congress has, since 1928, been the chief repository in the United States for field recordings of American folk songs; | |||||
A2. Cornfield Hollers | sung by Charley Berry at Clarksdale, Mississippi, 1942. | |||||||||||||||||
A3. I’m A Soldier In The Army Of The Lord | sung by the congregation of Silent Grove Baptist Church with trombone and guitar at Clarksdale, Mississippi, 1942. | |||||||||||||||||
A4. I’m Gonna Lift Up A Standard For My King | sung by the congregation of the Church of God in Christ at Moorehead Plantation, Lula, , Mississippi, 1941. | |||||||||||||||||
A5. Worried Life Blues | sung by David Edwards with guitar at Clarksdale, Mississippi, 1942. | |||||||||||||||||
A6. Ragged And Dirty | sung by William Brown with guitar at Clarksdale, Mississippi, 1942. | |||||||||||||||||
B1. Special Rider Blues | sung and played by Son House with gitar at Robinsonville, Mississippi, 1942. | LCM 2040 nečitko L59 B | Slika nalepnice B (plava nalepnica) | |||||||||||||||
B2. Depot Blues | sung and played by Son House with gitar at Robinsonville, Mississippi, 1942. | |||||||||||||||||
B3. Mississippi Blues | sung by William Brown with guitar at Sadie Beck’s Plantation, Arkansas, 1942. | |||||||||||||||||
B4. Four O’Clock Blues | Sung and played by William Blackwell and William Brown with guitar at Sadie Beck’s Plantation, Arkansas, 1942. | |||||||||||||||||
B5. East St. Louis Blues | sung by William Brown with guitar at Sadie Beck’s Plantation, Arkansas, 1942. | |||||||||||||||||
B6. Low Down, Dirty Dog Blues | sung and played by Son House with gitar at Robinsonville, Mississippi, 1942. | |||||||||||||||||
103 | Folk Music Of The United States. Negro Religious Songs And Services From The Archives Of Folk Song. Edited by B. A. Botkin | A1. Do, Lord, Remember Me | sung with banjo by Jimmie Strothers and Joe Lee at State Farm, Virginia, 1936. Rec. by John A. Lomax and Harold Spivacke. | The Library Of Congress, Music Devision, Recording Laboratory | US | b.g. | AAFS L10 | LCW 1882 LP GXTV 220662-2 | Slika nalepnice A (plava nalepnica) | foto | Neoštećeno | Stara signatura: 627; ima programsku knjižicu; The Archive Of American Folk Song in the Library Of Congress has, since 1928, been the chief repository in the United States for field recordings of American folk songs; | ||||||
A2. House Done Built Without Hands | sung by Joe Lee at State Farm, 1936. Rec. by John A. Lomax and Harold Spivacke. | |||||||||||||||||
A3. Oh, The Lamb Of God, The Lord Done Sanctified Me | sung by Joe Lee at State Farm, Virginia, 1936. Rec. by John A. Lomax and Harold Spivacke. | |||||||||||||||||
A4. We Are Almost Down To The Shore | sung with banjo by Jimmie Strothers and Joe Lee at State Farm, Virginia, 1936. Rec. by John A. Lomax and Harold Spivacke. | |||||||||||||||||
A5. Shine Like A Star In The Morning | sung by Joe Lee at State Farm, Virginia, 1936. Rec. by John A. Lomax and Harold Spivacke. | |||||||||||||||||
A6. Ain’t No Grave Can Hold My Body Down | sung by Bozie Sturdivant at Silent Grove Baptist Church, Clarksdale, Mississippi, 1942. Rec. by John A. Lomax and Lewis Jones. | |||||||||||||||||
A7. Down On Me | sung by Dock Reeed at Livingston, Alabama, 1940. Rec. by John A. AndRuby T. Lomax. | |||||||||||||||||
A8. Certainly, Lord | sung by Dock Reeed at Livingston, Alabama, 1940. Rec. by John A. AndRuby T. Lomax. | |||||||||||||||||
A9. The Man Of Calvary (Easter Day Servece) | spoken by Sin-Killer Griffin, with congregation responeses and singing, at Darrington State Farm, Sandy Point, Texas, 1934. Rec. by John A. Lomax. | |||||||||||||||||
B1. Wasn’t That A Mighty Storm | sung by Sin-Killer Griffin with congregation at Darrington State Farm, Sandy Point, Texas, 1934. Rec. by John A. Lomax. | nema | Slika nalepnice B (plava nalepnica) | |||||||||||||||
B2. Holy Babe | Sung by Kelley Pace, Aaron Brown, Joe Green, Matthew Johnson, and Paul Hayes at Cumins State Form, Gould, Akansas, 1942. Rec. by John A. And Ruby T. Lomax. | |||||||||||||||||
B3. Meet Me In Jerusalem | sung with harmonica by Turner Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and Lewis Jones. | |||||||||||||||||
B4. When I Lay My Burden Down | sung with harmonica by Turner Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and Lewis Jones. | |||||||||||||||||
B5. In New Jerusalem | sung with harmonica by Turner Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and Lewis Jones. | |||||||||||||||||
B6. Steal Away | sung with harmonica by Turner Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and Lewis Jones. | |||||||||||||||||
104 | Folk Music Of The United States.From The Archives Of Folk Song.Northwest (Puget Sound) Recorded and Edited by Willard Rhodes; Issued in coorperation with The Bureau of Indian Affairs | A1. Skafot Guardian Spirit Song | singer Tommy Bob, leader | The Library Of Congress, Music Devision, Recording Laboratory | US | b.g. | AFS L34 | LCW 1835-69-RBC | Slika nalepnice A (plava nalepnica) | foto | Neoštećeno | Stara signatura: 624; ima dve različite programske knjižice; The Archive Of American Folk Song in the Library Of Congress has, since 1928, been the chief repository in the United States for field recordings of American folk songs; | ||||||
A2. Lumia Padding Song | singer Joseph Hillaire | |||||||||||||||||
A3. Story Of The Rock And The Little Crabs | singer Joseph Hillaire | |||||||||||||||||
A4. Chinook Jargon Songs | singer Henry Allen | |||||||||||||||||
A5. Shaker Church Songs | singer Tommy Bob, leader | |||||||||||||||||
B1. Shaker Church Song | singer Lyda Butler Hottowe | LCW 1836-69-RBC | Slika nalepnice B (plava nalepnica) | |||||||||||||||
B2. Klallam Love Song | singers Nellie Wilkie and George Hottowe | |||||||||||||||||
B3. Quinault Lullaby | singer Hannah Bowechop | |||||||||||||||||
B4. Quinault Love Song | singer Hannah Bowechop | |||||||||||||||||
B5. Tsaiyak Songs | singers Lyda Butler Hottowe and George Hottowe | |||||||||||||||||
B6. Bone Game Songs | singer George Hottowe | |||||||||||||||||
164 | Mele Inoa Authentic hawallan chants • Kaupena and Pele | A1. Poli’ahu (hula pahu) This chant honors Poli’ahu | ne piše | 01:25 | Poki Records | Hawaii | 1974 | SP 9003 | SP 9003-A ∆19558(1) | Slika nalepnice A (žuta nalepnica) | foto+tekst | neoštećena | detaljnije o numerama na omotu ploče | |||||
A2. Pu’uonioni (hula ‘ili’ili) This is a sitting dance dedicated to the goddess Hiiaka. | 01:51 | |||||||||||||||||
A3. Aia O Pele I Hawaii (hula pa ipu) “Pele is in Hawaii’ begins this chant which describes the fire goddess burning her way through the district of Puna, Hawaii. | 02:05 | |||||||||||||||||
A4. Mele Inoa No Kamehameha (oli) This old chant honors King Kamehameha | 00:51 | |||||||||||||||||
A5. la ‘Oe E Ka La (hula pa ipu); This chant was composed in 1881 by Nahinu a Kaua’i chiefess and cousin of Queen Kapit-olani, just prior to King Kalakaua’s departure on a world tour. | 02:22 | |||||||||||||||||
A6. Wahine Holo Lic (hula’uPull) This sitting dance honors Queen Emma. | 02:45 | |||||||||||||||||
A7. Holo Ana O Kaläkaua (hula kä’eke’eke) This chant was composed in 1874 when King Kalakaua sailed to America to work for the Reciprocity Treaty. | 01:27 | |||||||||||||||||
A8. Punana Ka Manu (mele mai) Mele ma’i is a special kind of chant that stresses the physical necessities for perpetuating the race. | 00:55 | |||||||||||||||||
B1. Hoopuka E Ka Lā Ma Ka Hikina (hula pa ipu, mele kai or kai) E Liliu E (Kao’o version) (hula pa ipu) The mele kai is a standard item in any hula program. | 02:30 | SP 9003-B ∆/19558 -X (1) | Slika nalepnice B (žuta nalepnica) | |||||||||||||||
B2. O Kona Kai ‘Öpua (hula kala’au). It honors Liholiho, Kamehameha I. | 02:03 | |||||||||||||||||
B3. A Hilo Au (hula pa’i umauma) In the pa’i umauma the dancer’s body is used as a musical instrument. | 01:35 | |||||||||||||||||
B4. Pua Ana Ka Makani (hula kuhi lima) is a sitting dance with gesturing of the hands and swaying of the torso. | 02:14 | |||||||||||||||||
B5. Niihau (hula pã ipu) This mele inoa honors Queen Kapi-olani | 01:45 | |||||||||||||||||
B6. Maluaki’iwai (hula pü’ili) Maluakiiwai has been identified as a chant and as a song. | 02:10 | |||||||||||||||||
B7. Halehale Ke Aloha (hula pa ipu, mele ka’i ho’i, ka’i) This ancient chant was originally used for a string game. | 00:55 | |||||||||||||||||
166 | Duquesne University. Tamburitzans. in concert Walter W. Kolar, director | A1. Iz stare Bosne (From Old Bosnia) | Tamburitza Orchestra – Walter W. Kolar | Du-Tam? | ? | b.g. | DU-TAM LP 46 | S | Slika nalepnice A (crvena nalepnica) | foto+tekst | neoštećena | na poleđini omota tekst na engleskom, posle svake numere ima objašnjenje | ||||||
A2. Two russian folk songs | Tamburitza Orchestra – Arr. Walter W. Kolar James Roncevic – Bisernica Soloist | |||||||||||||||||
A3. S’one strane Morave (On the Other Side of the Morava) | lames Grasha – Soloist, Tamburitza Orchestra – Walter W. Kolar | |||||||||||||||||
A4. Two dalmatian sea songs | lames Grasha and Paul Fabanich – Vocalists; Tamburitza Orchestra – Walter W. Kolar | |||||||||||||||||
B1. Macedonian-Bulgarian Dance Airs | William Yurkovac – Clarinet / Steve Murillo – Bagpipe/Leon Nark – Accordion | DU-TAM LP 46 | Slika nalepnice B (crvena nalepnica) | |||||||||||||||
B2. Russian airs for accordion | Leon Nark – Accordionist | |||||||||||||||||
B3. Melodies for frula | William Yurkovac and Dennis Hribar – Frula Players | |||||||||||||||||
B4. Slovenian folk tunes | Alfred Meixner – Button Accordion; Gail Lindermann and Celine Vukovcan – Vocalists | |||||||||||||||||
177 | Mele-Hula | A1. Mele-Hula (Chants Of Praise For Hawaiian Royalty) | Henry Moikeha Pa & Hooheno | Noelani records | ? | b.g. | NRS 102-1 | S | slika nalepnice A (narandzasta nalepnica) | foto+tekst | Neoštećena | |||||||
A2. Ke Anuenue (The Rainbow) | Louise Kaleki & Judd Sisters | |||||||||||||||||
A3. Makee Ailana | Makee Ailana | |||||||||||||||||
A4. Po Laʻilaʻi (A Calm Night) | Louise Kaleki — Hooheno | |||||||||||||||||
A5. Singing Bamboo | Joseph Kahaulelio — Hooheno | |||||||||||||||||
A6. Aia O Pele I Hawaii | Pele Pukui | |||||||||||||||||
B1. Kuʻu Sweetie | Louise Kaleki — Hooheno | NRS 102-2 | slika nalepnice B (narandzasta nalepnica) | |||||||||||||||
B2. Ka Lehua I Milia | ||||||||||||||||||
B3. Ko Maʻi Hoʻ Euʻ Eu (A Personal Chant For King Kalakaua) | Joseph Kahauleio — Hooheno | |||||||||||||||||
B4. Aloha Kauai | Hooheno Serenaders | |||||||||||||||||
B5. Kipu-Kai | ||||||||||||||||||
B6. Maʻi No Iolani | Henry Moikeha Pa | |||||||||||||||||
B7. Kawika | Pele Pukui | |||||||||||||||||