2022

  1. Bralović, Miloš. 2022. “Recycling Postmodernism. Trendsetters, Trends and ‘Pandora’, Double Concerto for Violin, Violoncello and Orchestra by Lazar Đorđević”, INSAM Journal of Contemporary Music, Art and Technology 9, 123–135, https://dais.sanu.ac.rs/handle/123456789/13499 
  2. Bralović, Miloš. 2022. “Dve tokate za klavir i gudački orkestar Mihovila Logara”, Slovenika 8, 61–74, https://dais.sanu.ac.rs/handle/123456789/13688  
  3. Dumnić Vilotijević, Marija (ed.). 2022. Rukopisna zbirka Jovana Frajta. Fragmenti istorije instrumentalne gradske narodne muzike. Belgrade, Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/13727 
  4. Journal Muzikologija-Musicology No. 32. 2022. Themed issue: “Discography as a Scientific Source”, edited by Danka Lajić Mihajlović; https://muzikologija-musicology.com/index.php/MM/issue/view/no-32 
  5. Journal Muzikologija-Musicology No 33. 2022. Themed Issue “Sound Heritage in Ethnomusicology and Musicology”, Editor-in-Chief: Danka Lajić Mihajlović, Guest Editor: Marija Dumnić Vilotijević, https://dais.sanu.ac.rs/handle/123456789/13722 
  6. Lajić Mihajlović, Danka and Bojana Radovanović. 2022. “Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia”. Metal Music Studies 8 (2): 225–243. https://dais.sanu.ac.rs/handle/123456789/13151
  7. Lajić Mihajlović, Danka, David Pokrajac and Saša Spasojević. 2022. “Gramophone Records of the Singer Mijat Mijatović: From (Re)construction of Discography to the Study of Recorded Music”, Muzikologija-Musicology 32, 41–81, https://muzikologija-musicology.com/index.php/MM/article/view/24, https://doi.org/10.2298/MUZ2232041L 
  8. Maglov, Marija. 2022. “Aspects of Interaction between Radio and Recording Industry: Example of the His Master’s Voice concerts on Radio Belgrade Programme”, Muzikologija-Musicology 32, 83–108, https://muzikologija-musicology.com/index.php/MM/article/view/26, https://doi.org/10.2298/MUZ2232083M 
  9. Maglov, Marija. 2022. Review of the book “Phonographic Encounters: Mapping Traditional Cultures of Sound, 1890-1945”, Muzikologija-Musicology No. 33, 261–264, https://dais.sanu.ac.rs/handle/123456789/13724  
  10. Maglov, Marija. 2022. “Hidden Grooves: Reconstructing Jugodisk Record Production (c. 1951–1958)”, Arti Musices II, 53, 315–341, https://dais.sanu.ac.rs/handle/123456789/13730
  11. Marinković, Miloš. 2022. “Reactions to the first Music Biennale Zagreb (1961) in Belgradian Daily Newspapers”, Muzikologija-Musicology 32, 199–224, https://muzikologija-musicology.com/index.php/MM/article/view/32, https://doi.org/10.2298/MUZ2232199M 
  12. Marjanović, Nataša (ed.). 2022. “Korneliju u spomen. Letnja škola crkvenog pojanja – trideset godina trajanja. 1992–2022.” [Dedicated to Kornelije Stankovic. Summer School of Church Chanting – On the thirtieth anniversary. 1992-2022]. CD Edition. Society for the Safeguarding of Tradition and the development of Sremski Karlovci, and Prometej Novi Sad, in collaboration with the Institute of Musicology SASA. https://dais.sanu.ac.rs/handle/123456789/13380  
  13. Medić, Ivana. 2022. “Applied Musicology: A ‘Manifesto’, and a Case Study of a Lost Cultural Hub”, Muzikologija-Musicology No. 33, 87–102, https://dais.sanu.ac.rs/handle/123456789/13723  
  14. Medić, Ivana. 2022. “Legal Aliens: Serbian Composers in Western Europe Today”, Contemporary Music Review No. 41, 5–6, https://dais.sanu.ac.rs/handle/123456789/13721, https://doi.org/10.1080/07494467.2022.2152217 
  15. Radovanović, Bojana. 2022. “TikTok and Sound. Changing the Ways of Creating, Promoting and Listening to Music”, INSAM Journal of Contemporary Music, Art and Technology 9, 51–73, https://dais.sanu.ac.rs/handle/123456789/13485 

2023

  1. Journal Muzikologija-Musicology No. 35. 2023. Themed issue “Music Festivals”, edited by Danka Lajić Mihajlović; https://dais.sanu.ac.rs/handle/123456789/16261
  2. Jovanović, Jelena and Miloš Bralović. 2023. “Solo Song Inscription for Mezzo-soprano and Piano from Vladimir Lj. Jovanović’s Early Opus”. In Ana Stefanović et al. (eds.), Stanislav Vinaver i muzika [Stanislav Vinaver and Music], Belgrade and Šabac, Faculty of Music and Stanislav Vinaver Foundation, 108–124. https://dais.sanu.ac.rs/handle/123456789/15802
  3. Maglov, Marija. 2023. “Agency Festivals in Serbia: An Introduction”, Muzikologija-Musicology No. 35, 53-66, https://dais.sanu.ac.rs/handle/123456789/16265 
  4. Maglov, Marija. 2023. “78rpm at Home: Local Perspectives on the Early Recording Industry, International Symposium, Academy of Music, Zagreb and online, 8–11 March 2023”, Muzikologija-Musicology 34, 169–173, https://muzikologija-musicology.com/index.php/MM/article/view/95/103
  5. Marinković, Miloš. 2023. “Festival ‘Muzika u Srbiji’ kao ‘permanentna društvena obaveza muzičkih radnika'”, Muzikologija-Musicology No. 35, 105-126, https://dais.sanu.ac.rs/handle/123456789/16268
  6. Marjanović, Nataša (ed.) 2023. CD O Lord, Save Thy People. Serbian Church Chant – in the monasteries in Serbia in the second half of the 20th century. Edition: Sound Treasury. Belgrade, Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/16300
  7. Medić, Ivana. 2023. “The Cicvarićs as Pioneers of Cultural Entrepreneurship in Serbia”. Konservatoryum / Conservatorium, 10, Special Issue 1, 65–75. http://doi.org/10.26650/CONS2023-1281994,  https://dais.sanu.ac.rs/handle/123456789/16043 
  8. Milanović, Biljana (ed.) 2023. Critical Edition of the sheet music score: Milenko Paunović, Divina Tragoedia, music drama. Edited by Biljana Milanović, notography Lazar Đorđević, redaction Biljana Milanović and Miloš Bralović. Belgrade, Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/16305 
  9. Radovanović, Bojana and Miloš Bralović. 2023. “Activist Musicology and Informal Multimedia Archives: The Case of YouTube Channel ‘Serbian Composers’”. Arts 12, no. 5: 184, 1–13, https://doi.org/10.3390/arts12050184, https://dais.sanu.ac.rs/handle/123456789/14881 
  10. Radovanović, Bojana. 2023. “Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice”, in Iva Nenić and Linda Cimardi (eds.), Women’s Leadership in Music: Modes, Legacies, Alliances, Bielefeld: Transcript Verlag, 213–223. https://dais.sanu.ac.rs/handle/123456789/14232, https://doi.org/10.14361/9783839465462  
  11. Tomašević, Katarina, Bojana Radovanović and Vanja Grbović (eds.) 2023. Dragutin Gostuški’s Oblique Angle. Book of Abstracts. Belgrade, Institute of Musicology SASA, 23-24 November 2023. https://dais.sanu.ac.rs/handle/123456789/15603

2024

  1. Bralović, Miloš. 2024. “The Avant-Garde Inspired by the Universe: Josip Slavenski’s Cycle Misterij (Mystery) – Concept, Plot and Realized Parts”. Lietuvos muzikologija / Lithuanian Musicology 25: 43–65, https://dais.sanu.ac.rs/handle/123456789/17483 
  2. Bralović, Miloš. 2024. „Iz kolekcije ploča Josipa Slavenskog – od istraživanja muzičkog folklora do njegove primene u komponovanju” [On Josip Slavenski’s Record Collection – From his Research of Musical Folklore to its Application in Composing]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 130–158. DOI: https://doi.org/10.46793/MuzikSR.130B, https://dais.sanu.ac.rs/handle/123456789/17351 
  3. Dumnić Vilotijević, Marija. 2024. Applied Ethnomusicology in Serbia: Global Theories, Local Perspectives, and Understanding through Music. Translated by Jelena Janković-Beguš and Ivana Medić. Belgrade: Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/17361 
  4. Dumnić Vilotijević, Marija. 2024. „Perspektive primenjenoetnomuzikološkog rada s tražiocima azila u Beogradu” [Perspectives of Applied Ethnomusicological Work with Asylum Seekers in Belgrade]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 159–177. DOI: https://doi.org/10.46793/MuzikSR.159DV, https://dais.sanu.ac.rs/handle/123456789/17348 
  5. Gostuški, Dragutin. 2024. Vreme umetnosti: Prilog zasnivanju jedne opšte nauke o umetnostima. Drugo izdanje. [The Time of Art. A Contribution to Establishing a General Theory of Art. Second Edition]. Edited, with preface by Katarina Tomašević and Bojana Radovanović. Belgrade: Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/16537 
  6. Grbović, Vanja. 2024. „O mogućnostima zapošljavanja i profesionalnom razvoju muzikologa van tradicionalnih akademskih okvira” [On Employment Opportunities and Professional Development of Musicologists Outside Traditional Academic Frameworks]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 249–260. DOI: https://doi.org/10.46793/MuzikSR.249G, https://dais.sanu.ac.rs/handle/123456789/17346 
  7. Jovanović, Jelena. 2024. Oj, jabuko zeleniko: radionice srpskog tradicionalnog pevanja i njegovi nastavljači [Oh! You Green Apple Tree: Serbian Traditional Singing Workshops and Upholders]. CD Booklet. Belgrade and Niš: Institute of Musicology SASA and Serbian Academy of Sciences and Arts – Department of SASA in Niš, https://dais.sanu.ac.rs/handle/123456789/17540 
  8. Jovanović, Jelena. 2024. “Contemporary Summer Village Assemblies in Central Serbia and (Generational) Performative Practices of Older and Newer Rural Vocal Layers”. Introductory study. In: Łukasz Smoluch, Bożena Muszkalska, Danka Lajić Mihajlović, Drago Kunej, Matĕj Kratochvil (eds.), Interdisciplinary Studies in Musicology. Poznan: Institute of Musicology, Adam Mickiewicz, 7–20. https://doi.org/10.14746/ism.2022.22.1, https://dais.sanu.ac.rs/handle/123456789/17162.
  9. Jovanović, Jelena. 2024. “Traditional Songs and Their Messages in the Corona Period: An Experience from Serbia”, Folklore, Electronic Journal of Folklore 94: 15–40. https://doi.org/10.7592/FEJF2024.94.jovanovic, https://dais.sanu.ac.rs/handle/123456789/17164.
  10. Lajić Mihajlović, Danka, Saša Spasojević and Dragoljub David Pokrajac. 2024. „‘Provađajmo slavu gramofona’: počeci srpske diskografije” [Celebrate the Glory of the Gramphone: The Beginnings of Serbian Discography]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 13–99. DOI: https://doi.org/10.46793/MuzikSR.013LM, https://dais.sanu.ac.rs/handle/123456789/17352 
  11. Lajić Mihajlović, Danka. 2024. “CD Review: Marija Dumnić Vilotijević (Ed.): Narodna muzika Vranja” [Folk Music of Vranje]. Slovenský národopis / Slovak Ethnology 72(1): 126–131, https://dais.sanu.ac.rs/handle/123456789/16702 
  12. Maglov, Marija. 2024. „Radiofonski muzikološki eseji u Radionici zvuka Radio Beograda” [Radiophonic Musicological Essays in the Sound Workshop of Radio Belgrade]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 201–227. DOI: https://doi.org/10.46793/MuzikSR.201M, https://dais.sanu.ac.rs/handle/123456789/17347 
  13. Marinković, Miloš. 2024. „Obeležavanje jubileja Muzikološkog instituta Srpske akademije nauka i umetnosti” [Celebrating the Jubilees of the Institute of Musicology of the Serbian Academy of Sciences and Arts]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 228–248. DOI: https://doi.org/10.46793/MuzikSR.228M, https://dais.sanu.ac.rs/handle/123456789/17344 
  14. Marinković, Miloš. 2024. “Remi Dragutina Gostuškog: od nagrade Hrvatskog narodnog kazališta do premijere na Muzičkom bijenalu Zagreb” [Dragutin Gostuški’s Ballet Rummy: From the Award of the Croatian National Theatre to the Premiere at the Music Biennale Zagreb]. In: Katarina Tomašević and Bojana Radovanović (eds.), Iskošeni ugao Dragutina Gostuškog [Dragutin Gostuški’s Oblique Angle]. Belgrade: Institute of Musicology SASA, 211–234. DOI: https://doi.org/10.46793/DGOST23.211M, https://dais.sanu.ac.rs/handle/123456789/17311  (M44)
  15. Marinković, Miloš. 2024. “Big Festival Jubilee. Review of the 60th Music Panel (November 3–5, 2023)”. New Sound: International Journal of Music 63: 125–129, https://dais.sanu.ac.rs/handle/123456789/16754 
  16. Marinković, Miloš, and Snježana Đukić Čamur. 2024. „Stvaralaštvo Vojina Komadine na repertoaru Muzičkog bijenala Zagreb” [The Works of Vojin Komadina in the Repertoire of the Zagreb Music Biennale]. Zbornik radova Akademije umetnosti / Collection of Papers of the Academy of Arts 12: 65–83, https://dais.sanu.ac.rs/handle/123456789/17127 
  17. Marinković, Miloš, and Vanja Grbović. 2024. „Glasovi između kultura: ‘burundijski odjeci’ u delima kompozitorki Stanislave Gajić i Dorotee Vejnović” [Voices Between Cultures: ‘Echoes of Burundi’ in the Works of Composers Stanislava Gajić and Dorotea Vejnović]. Zbornik Matice srpske za scenske umetnosti i muziku 71: 63–83. https://dais.sanu.ac.rs/handle/123456789/17331 
  18. Marjanović, Nataša. 2024. „Letnja škola crkvenog pojanja ‘Korneliju u spomen’ (1993–2024): između muzikoloških istraživanja i praktičnog negovanja tradicije” [Summer School of Church Singing ‘In Memory of Kornelije’ (1993–2024): Between Musicological Research and Practical Safeguarding of Tradition]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 100–129. DOI: https://doi.org/10.46793/MuzikSR.100M, https://dais.sanu.ac.rs/handle/123456789/17350 
  19. Marjanović, Nataša. 2024. „Arhivski zvučni snimci srpskog crkvenog pojanja u Muzikološkom institutu SANU: zvuci žive tradicije kao izvori za istraživanje”  [Archival Sound Recordings of the Serbian Church Chant in the Institute of Musicology SASA: Sounds of Live Tradition as Sources for Research]. Muzikologija-Musicology 36: 193–221. DOI: https://doi.org/10.2298/MUZ2436193M, https://dais.sanu.ac.rs/handle/123456789/16677 
  20. Medić, Ivana (ed.) 2024. Special Issue of the journal ARTS: Applied Musicology and Ethnomusicology. Basel: MDPI, https://www.mdpi.com/journal/arts/special_issues/ZR576P8KR5 
  21. Medić, Ivana (ed.) 2024. Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA. DOI: https://doi.org/10.46793/MuzikSR, https://dais.sanu.ac.rs/handle/123456789/17353 
  22. Medić, Ivana. 2024. „Primenjena muzikologija i autoetnografija – na primeru vlastite muzikološko-pijanističke prakse” [Applied Musicology and Autoethnography – On the Example of My Own Musicological-Pianistic Practice]. In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 261–272. DOI: https://doi.org/10.46793/MuzikSR.261M, https://dais.sanu.ac.rs/handle/123456789/17345 
  23. Medić, Ivana. 2024. „Kinemuzika Dragutina Gostuškog (i šta bi Gostuški mislio o kvantnoj muzici” [Dragutin Gostuški’s Cinemusic (And What Would Gostuški Think About Quantum Music)]. In: Katarina Tomašević and Bojana Radovanović (eds.), Iskošeni ugao Dragutina Gostuškog [Dragutin Gostuški’s Oblique Angle]. Belgrade: Institute of Musicology SASA, 321–358. DOI: https://doi.org/10.46793/DGOST23.321M, https://dais.sanu.ac.rs/handle/123456789/17314  (M43)
  24. Milanović, Biljana. 2024. Milenko Paunović: usamljeni kompozitorski glas u srpskoj muzici. [Milenko Paunović: A Lone Compositional Voice in Serbian Music]. Belgrade: Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/17326 
  25. Milanović, Biljana and Ivan Hofman. 2024. Muzička diplomatija Jugoslavije (1945–1971). Katalog [Music Diplomacy of Yugoslavia (1945-1971). Catalogue]. Belgrade: Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/17152 
  26. Radovanović, Bojana. 2024. „Primenjena muzikologija i ekstremni glas: o nastanku kompozicije Psalm Juga Markovića” [Applied Musicology and Extreme Voice: On the Making of Jug Marković’s Composition Psalm] In: Ivana Medić (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 178–200. DOI: https://doi.org/10.46793/MuzikSR.178R, https://dais.sanu.ac.rs/handle/123456789/17349 
  27. Radovanović, Bojana. 2024. „Glas kao poligon za ’genetski inženjering’ na savremenoj srpskoj muzičkoj sceni” [Voice as a Polygon for the “Genetic Engineering” on the Contemporary Serbian Music Scene]. In: Biljana Milanović and Melita Milin (eds.), Savremena srpska muzička scena: istraživački izazovi [Contemporary Serbian Stage Music: Research Challenges]. Belgrade: Serbian Academy of Sciences and Arts, 129–149. https://dais.sanu.ac.rs/handle/123456789/17335 
  28. Tomašević, Katarina, and Bojana Radovanović (eds.). 2024. Iskošeni ugao Dragutina Gostuškog [Dragutin Gostuški’s Oblique Angle]. Belgrade: Institute of Musicology SASA. DOI: https://doi.org/10.46793/DGOST23, https://dais.sanu.ac.rs/handle/123456789/17323 
  29. Tomašević, Katarina. 2024. “Dragutin Gostuški. Skica za portret – Prilozi za biografiju: iz malo poznatih izvora –“ [Dragutin Gostuški. Sketch for a Portrait – Contributions to his Biography: From little-known Sources –]. In: Katarina Tomašević and Bojana Radovanović (eds.), Iskošeni ugao Dragutina Gostuškog [Dragutin Gostuški’s Oblique Angle]. Belgrade: Institute of Musicology SASA, 3–35. DOI: https://doi.org/10.46793/DGOST23.003T, https://dais.sanu.ac.rs/handle/123456789/17319 
  30. Tomašević, Katarina. 2024. “Dragutin Gostuški – Bibliografija radova” [Dragutin Gostuški – Bibliography of Works]. In: Katarina Tomašević and Bojana Radovanović (eds.), Iskošeni ugao Dragutina Gostuškog [Dragutin Gostuški’s Oblique Angle]. Belgrade: Institute of Musicology SASA, 463–495. DOI: https://doi.org/10.46793/DGOST23.463T, https://dais.sanu.ac.rs/handle/123456789/17369