Publications

  1. Journal Muzikologija-Musicology No. 32. Themed issue: “Discography as a Scientific Source”, edited by Danka Lajić Mihajlović; https://muzikologija-musicology.com/index.php/MM/issue/view/no-32 
  2. Danka Lajić Mihajlović et al. 2022. “Gramophone Records of the Singer Mijat Mijatović: From (Re)construction of Discography to the Study of Recorded Music”, Muzikologija-Musicology 32, 41–81, https://muzikologija-musicology.com/index.php/MM/article/view/24, https://doi.org/10.2298/MUZ2232041L 
  3. Marija Maglov. 2022. “Aspects of Interaction between Radio and Recording Industry: Example of the His Master’s Voice concerts on Radio Belgrade Programme”, Muzikologija-Musicology 32, 83–108, https://muzikologija-musicology.com/index.php/MM/article/view/26, https://doi.org/10.2298/MUZ2232083M 
  4. Miloš Marinković. 2022. “Reactions to the first Music Biennale Zagreb (1961) in Belgradian Daily Newspapers”, Muzikologija-Musicology 32, 199–224, https://muzikologija-musicology.com/index.php/MM/article/view/32, https://doi.org/10.2298/MUZ2232199M 
  5. Nataša Marjanović (ed.). 2022. “Korneliju u spomen. Letnja škola crkvenog pojanja – trideset godina trajanja. 1992–2022.” [Dedicated to Kornelije Stankovic. Summer School of Church Chanting – On the thirtieth anniversary. 1992-2022]. CD Edition. Society for the Safeguarding of Tradition and the development of Sremski Karlovci, and Prometej Novi Sad, in collaboration with the Institute of Musicology SASA. https://dais.sanu.ac.rs/handle/123456789/13380  
  6. Danka Lajić Mihajlović and Bojana Radovanović. 2022. “Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia”. Metal Music Studies 8 (2): 225–243. https://dais.sanu.ac.rs/handle/123456789/13151 
  7. Ivana Medić. 2022. “Applied Musicology: A ‘Manifesto’, and a Case Study of a Lost Cultural Hub”, Muzikologija-Musicology No. 33, 87–102, https://dais.sanu.ac.rs/handle/123456789/13723  
  8. Marija Maglov. 2022. Review of the book “Phonographic Encounters: Mapping Traditional Cultures of Sound, 1890-1945”, Muzikologija-Musicology No. 33, 261–264, https://dais.sanu.ac.rs/handle/123456789/13724  
  9. Journal Muzikologija-Musicology No 33. Themed Issue “Sound Heritage in Ethnomusicology and Musicology”, Editor-in-Chief: Danka Lajić Mihajlović, Guest Editor: Marija Dumnić Vilotijević, https://dais.sanu.ac.rs/handle/123456789/13722 
  10. Marija Maglov. 2022. “Hidden Grooves: Reconstructing Jugodisk Record Production (c. 1951–1958)”, Arti Musices II, 53, 315–341, https://dais.sanu.ac.rs/handle/123456789/13730  
  11. Miloš Bralović. 2022. “Recycling Postmodernism. Trendsetters, Trends and ‘Pandora’, Double Concerto for Violin, Violoncello and Orchestra by Lazar Đorđević”, INSAM Journal of Contemporary Music, Art and Technology 9, 123–135, https://dais.sanu.ac.rs/handle/123456789/13499 
  12. Bojana Radovanović. 2022. “TikTok and Sound. Changing the Ways of Creating, Promoting and Listening to Music”, INSAM Journal of Contemporary Music, Art and Technology 9, 51–73, https://dais.sanu.ac.rs/handle/123456789/13485 
  13. Miloš Bralović. 2022. “Dve tokate za klavir i gudački orkestar Mihovila Logara”, Slovenika 8, 61–74, https://dais.sanu.ac.rs/handle/123456789/13688  
  14. Marija Dumnić Vilotijević (ed.). 2022. Rukopisna zbirka Jovana Frajta. Fragmenti istorije instrumentalne gradske narodne muzike. Belgrade, Institute of Musicology SASA, https://dais.sanu.ac.rs/handle/123456789/13727 
  15. Ivana Medić. 2022. “Legal Aliens: Serbian Composers in Western Europe Today”, Contemporary Music Review No. 41, 5–6, https://dais.sanu.ac.rs/handle/123456789/13721, https://doi.org/10.1080/07494467.2022.2152217     
  16. Bojana Radovanović. 2023. “Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice”, in Iva Nenić and Linda Cimardi (eds.), Women’s Leadership in Music: Modes, Legacies, Alliances, Bielefeld: Transcript Verlag, 213–223. https://dais.sanu.ac.rs/handle/123456789/14232, https://doi.org/10.14361/9783839465462  
  17. Marija Maglov. 2023. “78rpm at Home: Local Perspectives on the Early Recording Industry, International Symposium, Academy of Music, Zagreb and online, 8–11 March 2023”, Muzikologija-Musicology 34, 169–173, https://muzikologija-musicology.com/index.php/MM/article/view/95/103
  18. Bojana Radovanović and Miloš Bralović. 2023. “Activist Musicology and Informal Multimedia Archives: The Case of YouTube Channel ‘Serbian Composers’”. Arts 12, no. 5: 184, 1–13, https://doi.org/10.3390/arts12050184, https://dais.sanu.ac.rs/handle/123456789/14881 
  19. Jelena Jovanović and Miloš Bralović. 2023. “Solo Song Inscription for Mezzo-soprano and Piano from Vladimir Lj. Jovanović’s Early Opus”. In Ana Stefanović et al. (eds.), Stanislav Vinaver i muzika [Stanislav Vinaver and Music], Belgrade and Šabac, Faculty of Music and Stanislav Vinaver Foundation, 108–124. https://dais.sanu.ac.rs/handle/123456789/15802 
  20. Ivana Medić. 2023. “The Cicvarićs as Pioneers of Cultural Entrepreneurship in Serbia”. Konservatoryum / Conservatorium, 10, Special Issue 1, 65–75. http://doi.org/10.26650/CONS2023-1281994,  https://dais.sanu.ac.rs/handle/123456789/16043 
  21. Katarina Tomašević, Bojana Radovanović and Vanja Grbović (eds.) 2023. Dragutin Gostuški’s Oblique Angle. Book of Abstracts. Belgrade, Institute of Musicology SASA, 23-24 November 2023. https://dais.sanu.ac.rs/handle/123456789/15603
  22. Journal Muzikologija-Musicology No. 35. 2023. Themed issue “Music Festivals”, edited by Danka Lajić Mihajlović; https://dais.sanu.ac.rs/handle/123456789/16261
  23. Marija Maglov. 2023. “Agency Festivals in Serbia: An Introduction”, Muzikologija-Musicology No. 35, 53-66, https://dais.sanu.ac.rs/handle/123456789/16265 
  24. Miloš Marinković. 2023. “Festival ‘Muzika u Srbiji’ kao ‘permanentna društvena obaveza muzičkih radnika'”, Muzikologija-Musicology No. 35, 105-126, https://dais.sanu.ac.rs/handle/123456789/16268
  25. Jelena Jovanović and Miloš Bralović. 2023. “Solo pesma Natpis za mecosopran i klavir iz ranog opusa Vladimira Lj. Jovanovića”, in: Ana Stefanović, Dragana Stojanović-Novičić, Igor Radeta (eds.), Stanislav Vinaver i muzika, Beograd-Šabac, Fakultet muzičke umetnosti i Fondacija “Stanislav Vinaver”, 108-124,  https://dais.sanu.ac.rs/handle/123456789/15802
  26. Nataša Marjanović (ed.) 2023. CD O Lord, Save Thy People. Serbian Church Chant – in the monasteries in Serbia in the second half of the 20th century. Edition: Sound Treasury. Belgrade, Institute of Musicology SASA, ISBN 978-86-80639-72-7, https://dais.sanu.ac.rs/bitstream/handle/123456789/16300.
  27. Biljana Milanović (ed.) 2023. Critical Edition of the sheet music score: Milenko Paunović, Divina Tragoedia, music drama. Edited by Biljana Milanović, notography Lazar Đorđević, redaction Biljana Milanović and Miloš Bralović. Belgrade, Institute of Musicology SASA, ISMN 979-0-802010-06-2.