2022

  1. Bralović, Miloš. 2022. “Composing in the Time of Crisis: Why Does Music Creation Output Not Stop?”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 54–55, https://dais.sanu.ac.rs/handle/123456789/13466 
  2. Dumnić Vilotijević, Marija. 2022. “Construction of National Music in Early Discography: The Case of Serbian Folk Music”, Panel “Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 77-78, https://dais.sanu.ac.rs/handle/123456789/13376
  3. Dumnić Vilotijević, Marija. 2022. “Pluralistic Musicscape of Belgrade: Cases of Old Urban Music and Music of Migrants”, Conference Klang in der Stadt: Music in middle-European Cities, Palais Meran Kunst Universitat Graz, Austria, 17–18 November 2022, https://dais.sanu.ac.rs/handle/123456789/13728 
  4. Grbović, Vanja. 2022. “Awards and Rewards in the Field of Music”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 76–77, https://dais.sanu.ac.rs/handle/123456789/13472  
  5. Jovanović, Jelena. 2022. “Experience of Embodying Otherness through Serbian and other Traditional Songs, in Serbia and Abroad”, ICTM: 46th World Conference. Lisbon. Portugal. 21–27 July 2022. Book of Abstracts, 2022, 137, https://dais.sanu.ac.rs/handle/123456789/13379
  6. Jovanović, Jelena, and Miloš Bralović. 2022. “Kompozicija ‘Natpis’ na stihove Stanislava Vinavera u ranom opusu Vladimira Lj. Jovanovića”, Conference Stanislav Vinaver and Music, Belgrade and Šabac, 25–26 November 2022, 22–23, https://dais.sanu.ac.rs/handle/123456789/13696  
  7. Lajić Mihajlović, Danka. 2022. “Discography of Military Orchestras and (Re)shaping of Cultural Identities: The Case of the Orchestra ‘Music of the King’s Guard'”, Panel “Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 153, https://dais.sanu.ac.rs/handle/123456789/13377
  8. Maglov, Marija. 2022. “Radiophonic Music Essay and Applied Musicology. Ono malo čega se sećam by Ivana Trišić”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 108–109, https://dais.sanu.ac.rs/handle/123456789/13467 
  9. Marinković, Miloš. 2022. “Music Festivals and Applied Musicology: Problems and Perspectives”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 110–111, https://dais.sanu.ac.rs/handle/123456789/13473 
  10. Marjanović, Nataša. 2022. “Early Discography and Preservation of (National) Tradition: The Case of The Conservatory of Serbian Church Chant”, Panel “Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 175, https://dais.sanu.ac.rs/handle/123456789/13378
  11. Medić, Ivana. 2022. “The Cicvarić Family as Pioneers of Cultural Entrepreneurship in Serbia and Yugoslavia”, Panel “Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 181-182, https://dais.sanu.ac.rs/handle/123456789/13372
  12. Medić, Ivana, Biljana Milanović and Melita Milin. 2022. “BASEES/REEM Study Session in memoriam Katy Romanou: On Serbian music”, IMS 2022. 21st Quinquennial Congress of the International Musicological Society. 22-26 August, 2022. Athens, Greece. Book of abstracts, 160-161, https://dais.sanu.ac.rs/handle/123456789/13371 
  13. Milanović, Biljana. 2022. “Activism on Musical Stage: The Case of the Opera ‘The Last Little Girls'”, International Conference “Musical Multimedia as a Keystone of Artistic Manifestations in the 20th–21st Century Europe”, Krakow, Jagiellonian University of Krakow, 31 August – 2 September 2022, https://dais.sanu.ac.rs/handle/123456789/14274 
  14. Milanović, Biljana. 2022. “Shaping the Cultural Industry through Cultural Diplomacy: The Case of Traditional Dance Ensembles from the Socialist Yugoslavia”, Panel “Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 181-182, https://dais.sanu.ac.rs/handle/123456789/13374
  15. Milin, Melita. 2022. “Expressing the Religious and the Spiritual in Art Music under State-Socialism”, Conference Music and the Spiritual since the French Revolution, Academia Musicala Chigiana, Siena, Italy, 1–3 December 2022, 11–12, https://dais.sanu.ac.rs/handle/123456789/13725 
  16. Radovanović, Bojana, and Teodora Trajković. 2022. “Contemporary Strategies of Music Festivals: Rossi Fest from Belgrade”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 142–143, https://dais.sanu.ac.rs/handle/123456789/13468 
  17. Tomašević, Katarina. 2022. “A Long Journey to the Future: On the Modalities of Preserving Tradition through Songs and Dances from the City of Vranje”, Panel “Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 293, https://dais.sanu.ac.rs/handle/123456789/13375

2023

  1. Dumnić Vilotijević, Marija. 2023. “Challenges and Perspectives of Archiving Music and Dance of Migrant Communities in Serbia”. 2023 IASA Conference & ICTMD Forum, 11–15 September 2023, Istanbul, Turkey, https://dais.sanu.ac.rs/handle/123456789/15103
  2. Dumnić Vilotijević, Marija. 2023. “(Attempts of) Making social benefit with applied ethnomusicology: Research of migrant’s music in Serbia”, Angewandte Musikwissenschaft(en)/Applied (Ethno-)Musicologies: Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft (book of abstracts), Österreichischen Gesellschaft für Musikwissenschaft und Gustav Mahler Privatuniversität für Musik, Klagenfurt, 16–18 November 2023, 10, https://dais.sanu.ac.rs/handle/123456789/16215
  3. Dumnić Vilotijević, Marija, Miloš Bralović and Stefan Savić. 2023. “Recordings of the Series of Lectures and Discussions “Conversations on Science and Art” at the Institute of Musicology SASA”, Dragutin Gostuški’s Oblique Angle (book of abstracts), Belgrade, Institute of Musicology SASA, 23-24 November 2023, pp. 44-48, https://dais.sanu.ac.rs/handle/123456789/15791  
  4. Grbović, Vanja. 2023. “Opera criticism: Then and Now”. In Gordana Grujić and Saša Pavlović (eds.), Vlado S. Milošević: Tradition as Inspiration. Banja Luka, Academy of Arts, 65–66, https://dais.sanu.ac.rs/handle/123456789/15308
  5. Lajić Mihajlović, Danka, and Bojana Radovanović. 2023. “Mijatovke collection on 78 rpm records: Early recordings as contributors in the formation of national culture”, International Symposium 78 rpm at home: Local perspectives on the early recording industry, Zagreb: Institute of Ethnology and Folklore Research, 8–11 March 2023, 32–33, https://dais.sanu.ac.rs/handle/123456789/14233  
  6. Maglov, Marija. 2023. “Applied musicology and research on music festivals with conferences“, Angewandte Musikwissenschaft(en)/Applied (Ethno-)Musicologies: Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft, Österreichischen Gesellschaft für Musikwissenschaft und Gustav Mahler Privatuniversität für Musik, Klagenfurt, 16–18 November 2023, p. 20, https://dais.sanu.ac.rs/handle/123456789/15631
  7. Maglov, Marija, and Jelka Vukobratović. 2023. “It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music“, Book of Abstracts How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe, Ljubljana, Faculty of Social Sciences, and the International Association for the Study of Popular Music, 9-11 November 2023, pp. 24-25, https://dais.sanu.ac.rs/handle/123456789/15414 
  8. Marinković, Miloš. 2023. “Dragutin Gostuški’s ballet Remi – From the Award of the Croatian National Theater to the Premiere at the Music Biennale Zagreb”, Dragutin Gostuški’s Oblique Angle (book of abstracts), Belgrade, Institute of Musicology SASA, 23-24 November 2023, pp. 62-65, https://dais.sanu.ac.rs/handle/123456789/15789 
  9. Marjanović, Nataša. 2023. “The Contribution of Edison Bell Penkala to Presentation and Preservation of Church Music Tradition: The Conservatory of Serbian Orthodox Church Chant”, International Symposium 78rpm at home: Local perspectives on the early recording industry, Zagreb: Institute of Ethnology and Folklore Research, 8–11 March 2023, 33–34, https://dais.sanu.ac.rs/handle/123456789/14322
  10. Medić, Ivana. 2023. “Applied Musicology in Practice: On the Experience of Working for the Ministry of Culture and the Responsibility for Shaping the Cultural Scene in Serbia”, Angewandte Musikwissenschaft(en)/Applied (Ethno-)Musicologies: Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft, Österreichischen Gesellschaft für Musikwissenschaft und Gustav Mahler Privatuniversität für Musik, Klagenfurt, 16–18 November 2023, p. 22,  https://dais.sanu.ac.rs/handle/123456789/16216 
  11. Medić, Ivana. 2023. “The Fourth Dimension of Music (or: What Would Dragutin Gostuški Think About Quantum Music)”, Dragutin Gostuški’s Oblique Angle (book of abstracts), Belgrade, Institute of Musicology SASA, 23-24 November 2023, pp. 69-72, https://dais.sanu.ac.rs/handle/123456789/15876

2024

  1. Dumnić Vilotijević, Marija. 2024. “Should I Write or Should I Act: Methodologies of Ethnomusicological Work with Asylum Seekers in Serbia”. Book of Abstracts. Joint Symposium of ICTMD SG on Applied Ethnomusicology & Sacred and Spiritual Sounds and Practices, 23–27 October 2024. Istanbul: Istanbul University and MiRAS Centre for Cultural Sustainability, 37–38. https://dais.sanu.ac.rs/handle/123456789/17405 
  2. Dumnić Vilotijević, Marija. 2024. “Music and Dance of Asylum Seekers in Serbia from Reception Center to Museum”. Book of Abstracts. 39th European Seminar in Ethnomusicology, 19–24 September 2024. Zagreb: University of Zagreb, Academy of Music, 34. https://dais.sanu.ac.rs/handle/123456789/17375 
  3. Grbović, Vanja, and Miloš Marinković. 2024. „Glas između kultura: Harmonija različitosti na primeru dela kompozitorki Stanislave Gajić i Dorotee Vejnović” [A Voice Between Cultures: The Harmony of Diversity in the Works of Female Composers Stanislava Gajić and Dorotea Vejnović]. Knjiga apstrakata. Identitet umetnice u srpskoj modernoj umetnosti [Book of Abstracts. The Identity of Female Artist in Serbian Modern Art], 16–17 November 2024. Novi Sad: Academy of Arts of the University of Novi Sad, 18–19. https://dais.sanu.ac.rs/handle/123456789/17076
  4. Lajić Mihajlović, Danka. 2024. “Gramofonske ploče kao izvori u etnomuzikološkim istraživanjima” [Gramophone Records as Sources in Ethnomusicological Research]. In: Aleksandra Bjelić i Nemanja Radulović (eds.), International Conference Savremena srpska folkloristika 14 [Contemporary Serbian Folkloristics 14]. Beograd–Užice: Udruženje folklorista Srbije, Beograd; Univerzitetska biblioteka „Svetozar Marković”, Beograd; Pedagoški fakultet u Užicu Univerziteta u Kragujevcu, 29,
    https://dais.sanu.ac.rs/handle/123456789/17316
  5. Milanović, Biljana. 2024. „Balet Ohridska legenda kao reprezent jugoslovenske kulturne diplomatije” [The ballet The Legend of Ohrid as a Representative of Yugoslav Cultural Diplomacy]. Vek baleta u Srbiji: istorija i nove perspektive [A Century of Ballet in Serbia: History and New Perspectives]. Book of Abstracts, 19–20 March 2024, 17–18. https://dais.sanu.ac.rs/handle/123456789/16526 
  6. Radovanović, Bojana. 2024. „(Ne)vidljivi rad: urednički, priređivački i recenzentski poslovi u savremenoj muzikologiji” [(In)visible Labour: Editorial and Reviewer Work in Contemporary Musicology]. Book of Abstracts. 14th International Symposium “Music in Society”, 24–26 October 2024. Sarajevo: Musicological Society of the Federation of Bosnia and Herzegovina, and University of Sarajevo Academy of Music, 108–109. https://dais.sanu.ac.rs/handle/123456789/16907