Ivana Medić. 2022. “The Cicvarić Family as Pioneers of Cultural Entrepreneurship in Serbia and Yugoslavia”, Panel “Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 181-182, https://dais.sanu.ac.rs/handle/123456789/13372
Katarina Tomašević. 2022. “A Long Journey to the Future: On the Modalities of Preserving Tradition through Songs and Dances from the City of Vranje”, Panel “Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 293, https://dais.sanu.ac.rs/handle/123456789/13375
Marija Dumnić Vilotijević. 2022. “Construction of National Music in Early Discography: The Case of Serbian Folk Music”, Panel “Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 77-78, https://dais.sanu.ac.rs/handle/123456789/13376
Nataša Marjanović. 2022. “Early Discography and Preservation of (National) Tradition: The Case of The Conservatory of Serbian Church Chant”, Panel “Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 175, https://dais.sanu.ac.rs/handle/123456789/13378
Danka Lajić Mihajlović. 2022. “Discography of Military Orchestras and (Re)shaping of Cultural Identities: The Case of the Orchestra ‘Music of the King’s Guard'”, Panel “Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 153, https://dais.sanu.ac.rs/handle/123456789/13377
Jelena Jovanović. 2022. “Experience of Embodying Otherness through Serbian and other Traditional Songs, in Serbia and Abroad”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 137, https://dais.sanu.ac.rs/handle/123456789/13379
Biljana Milanović. 2022. “Shaping the Cultural Industry through Cultural Diplomacy: The Case of Traditional Dance Ensembles from the Socialist Yugoslavia”, Panel “Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day”, ICTM: 46th World Conference. Lisbon. Portugal. 21-27 July 2022. Book of Abstracts, 2022, 181-182, https://dais.sanu.ac.rs/handle/123456789/13374
Ivana Medić, Biljana Milanović and Melita Milin. 2022. “BASEES/REEM Study Session in memoriam Katy Romanou: On Serbian music”, IMS 2022. 21st Quinquennial Congress of the International Musicological Society. 22-26 August, 2022. Athens, Greece. Book of abstracts, 160-161, https://dais.sanu.ac.rs/handle/123456789/13371
Biljana Milanović. 2022. “Activism on Musical Stage: The Case of the Opera ‘The Last Little Girls'”, International Conference “Musical Multimedia as a Keystone of Artistic Manifestations in the 20th–21st Century Europe”, Krakow, Jagiellonian University of Krakow, 31 August – 2 September 2022, https://dais.sanu.ac.rs/handle/123456789/14274
Marija Dumnić Vilotijević. 2022. “Pluralistic Musicscape of Belgrade: Cases of Old Urban Music and Music of Migrants”, Conference Klang in der Stadt: Music in middle-European Cities, Palais Meran Kunst Universitat Graz, Austria, 17–18 November 2022, https://dais.sanu.ac.rs/handle/123456789/13728
Jelena Jovanović and Miloš Bralović. 2022. “Kompozicija ‘Natpis’ na stihove Stanislava Vinavera u ranom opusu Vladimira Lj. Jovanovića”, Conference Stanislav Vinaver and Music, Belgrade and Šabac, 25–26 November 2022, 22–23, https://dais.sanu.ac.rs/handle/123456789/13696
Melita Milin. 2022. “Expressing the Religious and the Spiritual in Art Music under State-Socialism”, Conference Music and the Spiritual since the French Revolution, Academia Musicala Chigiana, Siena, Italy, 1–3 December 2022, 11–12, https://dais.sanu.ac.rs/handle/123456789/13725
Marija Maglov. 2022. “Radiophonic Music Essay and Applied Musicology. Ono malo čega se sećam by Ivana Trišić”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 108–109, https://dais.sanu.ac.rs/handle/123456789/13467
Miloš Marinković. 2022. “Music Festivals and Applied Musicology: Problems and Perspectives”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 110–111, https://dais.sanu.ac.rs/handle/123456789/13473
Miloš Bralović. 2022. “Composing in the Time of Crisis: Why Does Music Creation Output Not Stop?”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 54–55, https://dais.sanu.ac.rs/handle/123456789/13466
Vanja Grbović. 2022. “Awards and Rewards in the Field of Music”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 76–77, https://dais.sanu.ac.rs/handle/123456789/13472
Bojana Radovanović and Teodora Trajković. 2022. “Contemporary Strategies of Music Festivals: Rossi Fest from Belgrade”, 13th International Symposium Music in Society, Sarajevo, Musicological Society of the Federation of Bosnia-Herzegovina and the University of Sarajevo, 7–10 December 2022, 142–143, https://dais.sanu.ac.rs/handle/123456789/13468
Danka Lajić Mihajlović and Bojana Radovanović. 2023. “Mijatovke collection on 78 rpm records: Early recordings as contributors in the formation of national culture”, International Symposium 78 rpm at home: Local perspectives on the early recording industry, Zagreb: Institute of Ethnology and Folklore Research, 8–11 March 2023, 32–33, https://dais.sanu.ac.rs/handle/123456789/14233
Nataša Marjanović. 2023. “The Contribution of Edison Bell Penkala to Presentation and Preservation of Church Music Tradition: The Conservatory of Serbian Orthodox Church Chant”, International Symposium 78rpm at home: Local perspectives on the early recording industry, Zagreb: Institute of Ethnology and Folklore Research, 8–11 March 2023, 33–34, https://dais.sanu.ac.rs/handle/123456789/14322
Marija Dumnić Vilotijević. 2023. “Challenges and Perspectives of Archiving Music and Dance of Migrant Communities in Serbia”. 2023 IASA Conference & ICTMD Forum, 11–15 September 2023, Istanbul, Turkey, https://dais.sanu.ac.rs/handle/123456789/15103
Vanja Grbović. 2023. “Opera criticism: Then and Now”. In Gordana Grujić and Saša Pavlović (eds.), Vlado S. Milošević: Tradition as Inspiration. Banja Luka, Academy of Arts, 65-66, https://dais.sanu.ac.rs/handle/123456789/15308
Marija Maglov. 2023. “Applied musicology and research on music festivals with conferences“, Angewandte Musikwissenschaft(en)/Applied (Ethno-)Musicologies: Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft, Österreichischen Gesellschaft für Musikwissenschaft und Gustav Mahler Privatuniversität für Musik, Klagenfurt, 16-18 November 2023, p. 20, https://dais.sanu.ac.rs/handle/123456789/15631
Ivana Medić. 2023. “Applied Musicology in Practice: On the Experience of Working for the Ministry of Culture and the Responsibility for Shaping the Cultural Scene in Serbia”, Angewandte Musikwissenschaft(en)/Applied (Ethno-)Musicologies: Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft, Österreichischen Gesellschaft für Musikwissenschaft und Gustav Mahler Privatuniversität für Musik, Klagenfurt, 16-18 November 2023, p. 22, https://dais.sanu.ac.rs/handle/123456789/16216
Marija Dumnić Vilotijević. 2023. “(Attempts of) Making social benefit with applied ethnomusicology: Research of migrant’s music in Serbia”, Angewandte Musikwissenschaft(en)/Applied (Ethno-)Musicologies: Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft (book of abstracts), Österreichischen Gesellschaft für Musikwissenschaft und Gustav Mahler Privatuniversität für Musik, Klagenfurt, 16-18 November 2023, p. 10, https://dais.sanu.ac.rs/handle/123456789/16215
Miloš Marinković. 2023. “Dragutin Gostuški’s ballet Remi – From the Award of the Croatian National Theater to the Premiere at the Music Biennale Zagreb”, Dragutin Gostuški’s Oblique Angle (book of abstracts), Belgrade, Institute of Musicology SASA, 23-24 November 2023, pp. 62-65, https://dais.sanu.ac.rs/handle/123456789/15789
Marija Dumnić Vilotijević, Miloš Bralović and Stefan Savić. 2023. “Recordings of the Series of Lectures and Discussions “Conversations on Science and Art” at the Institute of Musicology SASA”, Dragutin Gostuški’s Oblique Angle (book of abstracts), Belgrade, Institute of Musicology SASA, 23-24 November 2023, pp. 44-48, https://dais.sanu.ac.rs/handle/123456789/15791
Marija Maglov (with Jelka Vukobratović). 2023. “It’s Sounding Light and Yugoslav: Contributions by Recording Researchers to the Understanding of Genesis of Zabavna Music“, Book of Abstracts How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe, Ljubljana, Faculty of Social Sciences, and the International Association for the Study of Popular Music, 9-11 November 2023, pp. 24-25, https://dais.sanu.ac.rs/handle/123456789/15414