{"id":5467,"date":"2025-02-15T18:21:23","date_gmt":"2025-02-15T18:21:23","guid":{"rendered":"https:\/\/appmes.rs\/?page_id=5467"},"modified":"2025-02-15T18:21:23","modified_gmt":"2025-02-15T18:21:23","slug":"usa","status":"publish","type":"page","link":"https:\/\/appmes.rs\/index.php\/usa\/","title":{"rendered":"USA"},"content":{"rendered":"\n
Red.br.
unosa<\/td>		Signatura<\/td>Naslov plo\u010de<\/td>Sadr\u017eaj\/Repertoar<\/td>Izvo\u0111a\u010d<\/td>Trajanje numere<\/td>Izdava\u010d<\/td>Zemlja<\/td>Godina<\/td>Katalo\u0161ki
broj<\/td>		Broj matrice<\/td>Mesto
snimanja\/studio\/lokacija\/godina<\/td>		Tip snimka M\/S<\/td>Nalepnica (link)<\/td>Omot (link)<\/td>Prate\u0107i materijal
(programska knji\u017eica, itd)<\/td>		Digitalna kopija<\/td>Fizi\u010dko stanje
plo\u010de<\/td>		Ostalo (pe\u010dat,
i sl.)<\/td><\/tr>
101<\/td> <\/td>Folk Music Of The
United States. Seneca Songs From Coldspring Longhouse. Recorded and Edited by
William N. Fenton<\/td>		A1. Gane’O’On The Drum Dance (A
sacred ritual of thanksgiving. The opening songs)<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td>The Library Of Congress, Music Devision,
Recording Laboratory<\/td>		US<\/td>b.g.<\/td>AAFS L17<\/td>AAFS L17 A LCM
2000-69-RBI<\/td>		 <\/td>S<\/td>Slika nalepnice A (plava
nalepnica)<\/td>		foto<\/td> <\/td> <\/td>Neo\u0161te\u0107eno<\/td>Stara signatura: 625;
The Archive Of American Folk Song in the Library Of Congress has, since 1928,
been the chief repository in the United States for field recordings of
American folk songs.<\/td><\/tr>
A2.
The Drum Dance (Short songs with interpolated prayers of thanksgiving from
the earth up to heaven)<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td> <\/td><\/tr>
A3.
I’Yondatha – De’Swadenyon Quavering – Changing-A-Rib<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td> <\/td><\/tr>
A4.
Quavering<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td> <\/td><\/tr>
A5.
Quavering<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td> <\/td><\/tr>
B1.
Quavering<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td>AAFS L17 B LCM
2000-69-RBI<\/td>		Slika nalepnice B (plava
nalepnica)<\/td>		 <\/td><\/tr>
B2.
Se’Swadenyon – Changing-A-Rib<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td> <\/td><\/tr>
B3.
Bear Society Dance<\/td>		sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1941.<\/td>		 <\/td> <\/td><\/tr>
B4. Fish Dance<\/td>sung by Chancey Johnny John and
Albert Jones at Quaker Bridge, Allegany Reservation, NY, 1945.<\/td>		 <\/td> <\/td><\/tr>
102<\/td> <\/td>Negro Blues And
Hollers From The Archives Of Folk Song. Edited by Marshall W. Stearns<\/td>		A1. Camp Hollers<\/td>sung by an undentified singer at
Clarksdale, Mississippi, 1941.<\/td>		 <\/td>The Library Of Congress, Music Devision,
Recording Laboratory<\/td>		US<\/td>b.g.<\/td>AFS L59<\/td>LCM 2040 ne\u010ditko L59 A<\/td> <\/td>S<\/td>Slika nalepnice A (plava
nalepnica)<\/td>		foto<\/td> <\/td> <\/td>Delimi\u010dno o\u0161te\u0107eno
(proveriti)<\/td>		Stara signatura: 626;
plo\u010da je crvene boje na jednom mestu
ima crnu mrlju; ima programsku
knji\u017eicu;
<\/span>The Archive Of American Folk Song in the Library Of Congress has,
since 1928, been the chief repository in the United States for field
recordings of American folk songs;<\/td><\/tr>
A2.
Cornfield Hollers<\/td>		sung by Charley Berry at
Clarksdale, Mississippi, 1942.<\/td>		 <\/td> <\/td><\/tr>
A3.
I’m A Soldier In The Army Of The Lord<\/td>		sung by the congregation of
Silent Grove Baptist Church with trombone and guitar at Clarksdale,
Mississippi, 1942.<\/td>		 <\/td> <\/td><\/tr>
A4.
I’m Gonna Lift Up A Standard For My King<\/td>		sung by the congregation of the
Church of God in Christ at Moorehead Plantation, Lula, , Mississippi, 1941.<\/td>		 <\/td> <\/td><\/tr>
A5.
Worried Life Blues<\/td>		sung by David Edwards with
guitar at Clarksdale, Mississippi, 1942.<\/td>		 <\/td> <\/td><\/tr>
A6.
Ragged And Dirty<\/td>		sung by William Brown with
guitar at Clarksdale, Mississippi, 1942.<\/td>		 <\/td> <\/td><\/tr>
B1.
Special Rider Blues<\/td>		sung and played by Son House
with gitar at Robinsonville, Mississippi, 1942.<\/td>		 <\/td>LCM 2040 ne\u010ditko L59 B<\/td>Slika nalepnice B (plava
nalepnica)<\/td>		 <\/td><\/tr>
B2.
Depot Blues<\/td>		sung and played by Son House
with gitar at Robinsonville, Mississippi, 1942.<\/td>		 <\/td> <\/td><\/tr>
B3.
Mississippi Blues<\/td>		sung by William Brown with
guitar at Sadie Beck’s Plantation, Arkansas, 1942.<\/td>		 <\/td> <\/td><\/tr>
B4.
Four O’Clock Blues<\/td>		Sung and played by William
Blackwell and William Brown with guitar at Sadie Beck’s Plantation, Arkansas,
1942.<\/td>		 <\/td> <\/td><\/tr>
B5.
East St. Louis Blues<\/td>		sung by William Brown with
guitar at Sadie Beck’s Plantation, Arkansas, 1942.<\/td>		 <\/td> <\/td><\/tr>
B6.
Low Down, Dirty Dog Blues<\/td>		sung and played by Son House
with gitar at Robinsonville, Mississippi, 1942.<\/td>		 <\/td> <\/td><\/tr>
103<\/td> <\/td>Folk Music Of The
United States. Negro Religious Songs And Services From The Archives Of Folk
Song. Edited by B. A. Botkin<\/td>		A1. Do, Lord, Remember Me<\/td>sung with banjo by Jimmie
Strothers and Joe Lee at State Farm, Virginia, 1936. Rec. by John A. Lomax
and Harold Spivacke.<\/td>		 <\/td>The Library Of
Congress, Music Devision, Recording Laboratory<\/td>		US<\/td>b.g.<\/td>AAFS L10<\/td>LCW 1882 LP GXTV 220662-2<\/td> <\/td> <\/td>Slika nalepnice A (plava
nalepnica)<\/td>		foto<\/td> <\/td> <\/td>Neo\u0161te\u0107eno<\/td>Stara signatura:
627; ima programsku knji\u017eicu;
<\/span>The Archive Of American Folk Song in the Library Of Congress has,
since 1928, been the chief repository in the United States for field
recordings of American folk songs;<\/td><\/tr>
A2.
House Done Built Without Hands<\/td>		sung by Joe Lee at State Farm,
1936. Rec. by John A. Lomax and Harold Spivacke.<\/td>		 <\/td> <\/td><\/tr>
A3.
Oh, The Lamb Of God, The Lord Done Sanctified Me<\/td>		sung by Joe Lee at State Farm,
Virginia, 1936. Rec. by John A. Lomax and Harold Spivacke.<\/td>		 <\/td> <\/td><\/tr>
A4. We
Are Almost Down To The Shore<\/td>		sung with banjo by Jimmie
Strothers and Joe Lee at State Farm, Virginia, 1936. Rec. by John A. Lomax
and Harold Spivacke.<\/td>		 <\/td> <\/td><\/tr>
A5.
Shine Like A Star In The Morning<\/td>		sung by Joe Lee at State Farm,
Virginia, 1936. Rec. by John A. Lomax and Harold Spivacke.<\/td>		 <\/td> <\/td><\/tr>
A6.
Ain’t No Grave Can Hold My Body Down<\/td>		sung by Bozie Sturdivant at
Silent Grove Baptist Church, Clarksdale, Mississippi, 1942. Rec. by John A.
Lomax and Lewis Jones.<\/td>		 <\/td> <\/td><\/tr>
A7.
Down On Me<\/td>		sung by Dock Reeed at
Livingston, Alabama, 1940. Rec. by John A. AndRuby T. Lomax.<\/td>		 <\/td> <\/td><\/tr>
A8.
Certainly, Lord<\/td>		sung by Dock Reeed at
Livingston, Alabama, 1940. Rec. by John A. AndRuby T. Lomax.<\/td>		 <\/td> <\/td><\/tr>
A9.
The Man Of Calvary (Easter Day Servece)<\/td>		spoken by Sin-Killer Griffin,
with congregation responeses and singing, at Darrington State Farm, Sandy
Point, Texas, 1934. Rec. by John A. Lomax.<\/td>		 <\/td> <\/td><\/tr>
B1.
Wasn’t That A Mighty Storm<\/td>		sung by Sin-Killer Griffin with
congregation at Darrington State Farm, Sandy Point, Texas, 1934. Rec. by John
A. Lomax.<\/td>		 <\/td>nema<\/td>Slika nalepnice B (plava
nalepnica)<\/td>		 <\/td><\/tr>
B2.
Holy Babe<\/td>		Sung by Kelley Pace, Aaron
Brown, Joe Green, Matthew Johnson, and Paul Hayes at Cumins State Form,
Gould, Akansas, 1942. Rec. by John A. And
<\/span>Ruby T. Lomax.<\/td>		 <\/td> <\/td><\/tr>
B3.
Meet Me In Jerusalem<\/td>		sung with harmonica by Turner
Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and
Lewis Jones.<\/td>		 <\/td> <\/td><\/tr>
B4.
When I Lay My Burden Down<\/td>		sung with harmonica by Turner
Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and
Lewis Jones.<\/td>		 <\/td> <\/td><\/tr>
B5. In
New Jerusalem<\/td>		sung with harmonica by Turner
Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and
Lewis Jones.<\/td>		 <\/td> <\/td><\/tr>
B6.
Steal Away<\/td>		sung with harmonica by Turner
Junior Johnson at Clarskadale, Mississippi, 1942. Rec. by John A. Lomax and
Lewis Jones.<\/td>		 <\/td> <\/td><\/tr>
104<\/td> <\/td>Folk Music Of The
United States.From The Archives Of Folk Song.Northwest (Puget Sound) Recorded
and Edited by Willard Rhodes; Issued in coorperation with The Bureau of
Indian Affairs<\/td>		A1. Skafot Guardian Spirit Song<\/td>singer Tommy Bob, leader<\/td> <\/td>The Library Of
Congress, Music Devision, Recording Laboratory<\/td>		US<\/td>b.g.<\/td>AFS L34<\/td>LCW 1835-69-RBC<\/td> <\/td> <\/td>Slika nalepnice A (plava
nalepnica)<\/td>		foto<\/td> <\/td> <\/td>Neo\u0161te\u0107eno<\/td>Stara signatura:
624; ima dve razli\u010dite programske
knji\u017eice;
<\/span>The Archive Of American Folk Song in the Library Of Congress has,
since 1928, been the chief repository in the United States for field
recordings of American folk songs;<\/td><\/tr>
A2.
Lumia Padding Song<\/td>		singer Joseph Hillaire<\/td> <\/td> <\/td><\/tr>
A3.
Story Of The Rock And The Little Crabs<\/td>		singer Joseph Hillaire<\/td> <\/td> <\/td><\/tr>
A4.
Chinook Jargon Songs<\/td>		singer Henry Allen<\/td> <\/td> <\/td><\/tr>
A5.
Shaker Church Songs<\/td>		singer Tommy Bob, leader<\/td> <\/td> <\/td><\/tr>
B1.
Shaker Church Song<\/td>		singer Lyda Butler Hottowe<\/td> <\/td>LCW 1836-69-RBC<\/td>Slika nalepnice B (plava
nalepnica)<\/td>		 <\/td><\/tr>
B2.
Klallam Love Song<\/td>		singers Nellie Wilkie and George
Hottowe<\/td>		 <\/td> <\/td><\/tr>
B3.
Quinault Lullaby<\/td>		singer Hannah Bowechop<\/td> <\/td> <\/td><\/tr>
B4.
Quinault Love Song<\/td>		singer Hannah Bowechop<\/td> <\/td> <\/td><\/tr>
B5.
Tsaiyak Songs<\/td>		singers Lyda Butler Hottowe and
George Hottowe<\/td>		 <\/td> <\/td><\/tr>
B6. Bone
Game Songs<\/td>		singer George Hottowe<\/td> <\/td> <\/td><\/tr>
164<\/td> <\/td>Mele Inoa
Authentic hawallan chants \u2022 Kaupena and Pele<\/td>		A1. Poli’ahu (hula pahu) This
chant honors Poli’ahu<\/td>		ne pi\u0161e<\/td>01:25<\/td>Poki Records<\/td>Hawaii<\/td>1974<\/td>SP 9003<\/td>SP 9003-A \u2206<\/span>19558(1)<\/span><\/td> <\/td> <\/td>Slika nalepnice A (\u017euta nalepnica)<\/td>foto+tekst<\/td> <\/td> <\/td>neo\u0161te\u0107ena<\/td>detaljnije o numerama
na omotu plo\u010de<\/td><\/tr>
A2.
Pu’uonioni (hula ‘ili’ili) This is a sitting dance dedicated to the goddess
Hiiaka.<\/td>		01:51<\/td> <\/td><\/tr>
A3.
Aia O Pele I Hawaii (hula pa ipu) “Pele is in Hawaii’ begins this chant
which describes the fire goddess burning her way through the district of
Puna, Hawaii.<\/td>		02:05<\/td> <\/td><\/tr>
A4.
Mele Inoa No Kamehameha (oli) This old chant honors King Kamehameha<\/td>		00:51<\/td> <\/td><\/tr>
A5. la
‘Oe E Ka La (hula pa ipu); This chant was composed in 1881 by Nahinu a Kaua’i
chiefess and cousin of Queen Kapit-olani, just prior to King Kalakaua’s
departure on a world tour.<\/td>		02:22<\/td> <\/td><\/tr>
A6.
Wahine Holo Lic (hula’uPull) This sitting dance honors
Queen Emma.<\/td>		02:45<\/td> <\/td><\/tr>
A7.
Holo Ana O Kal\u00e4kaua (hula k\u00e4’eke’eke) This chant was composed in 1874 when
King Kalakaua sailed to America to work for the Reciprocity Treaty.<\/td>		01:27<\/td> <\/td><\/tr>
A8.
Punana Ka Manu (mele mai) Mele ma’i is a special kind of chant that stresses
the physical necessities for perpetuating the race.<\/td>		00:55<\/td> <\/td><\/tr>
B1.
Hoopuka E Ka L\u0101 Ma Ka Hikina (hula pa ipu, mele kai or kai) E Liliu E (Kao’o
version) (hula pa ipu) The mele kai is a standard item in any hula program.<\/td>		02:30<\/td>SP 9003-B \u2206\/19558 -X (1)<\/td>Slika nalepnice B (\u017euta nalepnica)<\/td> <\/td><\/tr>
B2. O
Kona Kai ‘\u00d6pua (hula kala’au). It honors Liholiho, Kamehameha I.<\/td>		02:03<\/td> <\/td><\/tr>
B3. A
Hilo Au (hula pa’i umauma) In the pa’i umauma the dancer’s body is used as a
musical instrument.<\/td>		01:35<\/td> <\/td><\/tr>
B4.
Pua Ana Ka Makani (hula kuhi lima) is a sitting dance with gesturing of the
hands and swaying of the torso.<\/td>		02:14<\/td> <\/td><\/tr>
B5.
Niihau (hula p\u00e3 ipu) This mele inoa honors Queen Kapi-olani<\/td>		01:45<\/td> <\/td><\/tr>
B6.
Maluaki’iwai (hula p\u00fc’ili) Maluakiiwai has been identified as a chant and as
a song.<\/td>		02:10<\/td> <\/td><\/tr>
B7.
Halehale Ke Aloha (hula pa ipu, mele ka’i ho’i, ka’i) This ancient chant was
originally used for a string game.<\/td>		00:55<\/td> <\/td><\/tr>
166<\/td> <\/td>Duquesne University.
Tamburitzans. in concert
Walter W. Kolar, director<\/td>		A1. Iz stare Bosne (From Old
Bosnia)<\/td>		Tamburitza Orchestra – Walter W.
Kolar<\/td>		 <\/td>Du-Tam?<\/td>?<\/td>b.g.<\/td> <\/td>DU-TAM LP 46<\/td> <\/td>S<\/td>Slika nalepnice A
(crvena nalepnica)<\/td>		foto+tekst<\/td> <\/td> <\/td>neo\u0161te\u0107ena<\/td>na pole\u0111ini omota
tekst na engleskom, posle svake numere ima obja\u0161njenje<\/td><\/tr>
A2.
Two russian folk songs<\/td>		Tamburitza Orchestra – Arr.
Walter W. Kolar James Roncevic – Bisernica Soloist<\/td>		 <\/td> <\/td><\/tr>
A3.
S’one strane Morave (On the Other Side of the Morava)<\/td>		lames Grasha – Soloist,
Tamburitza Orchestra – Walter W. Kolar<\/td>		 <\/td> <\/td><\/tr>
A4.
Two dalmatian sea songs<\/td>		lames Grasha and Paul Fabanich –
Vocalists; Tamburitza Orchestra – Walter W. Kolar<\/td>		 <\/td> <\/td><\/tr>
B1.
Macedonian-Bulgarian Dance Airs<\/td>		William Yurkovac – Clarinet \/
Steve Murillo – Bagpipe\/Leon Nark – Accordion<\/td>		 <\/td>DU-TAM LP 46<\/td>Slika nalepnice B
(crvena nalepnica)<\/td>		 <\/td><\/tr>
B2.
Russian airs for accordion<\/td>		Leon Nark – Accordionist<\/td> <\/td> <\/td><\/tr>
B3.
Melodies for frula<\/td>		William Yurkovac and Dennis
Hribar – Frula Players<\/td>		 <\/td> <\/td><\/tr>
B4.
Slovenian folk tunes<\/td>		Alfred Meixner – Button
Accordion; Gail Lindermann and Celine Vukovcan – Vocalists<\/td>		 <\/td> <\/td><\/tr>
177<\/td> <\/td>Mele-Hula<\/td>A1. Mele-Hula (Chants Of Praise
For Hawaiian Royalty)<\/td>		Henry Moikeha Pa & Hooheno<\/td> <\/td>Noelani records<\/td>?<\/td>b.g.<\/td> <\/td>NRS 102-1<\/td> <\/td>S<\/td>slika nalepnice A
(narandzasta nalepnica)<\/td>		foto+tekst<\/td> <\/td> <\/td>Neo\u0161te\u0107ena<\/td> <\/td><\/tr>
A2. Ke
Anuenue (The Rainbow)<\/td>		Louise Kaleki & Judd Sisters<\/td> <\/td> <\/td><\/tr>
A3.
Makee Ailana<\/td>		Makee Ailana<\/td> <\/td> <\/td><\/tr>
A4. Po
La\u02bbila\u02bbi (A Calm Night)<\/td>		Louise Kaleki \u2014 Hooheno<\/td> <\/td> <\/td><\/tr>
A5.
Singing Bamboo<\/td>		Joseph Kahaulelio \u2014 Hooheno<\/td> <\/td> <\/td><\/tr>
A6. Aia
O Pele I Hawaii<\/td>		Pele Pukui<\/span><\/a><\/td> <\/td> <\/td><\/tr>
B1. Ku\u02bbu
Sweetie<\/td>		Louise Kaleki \u2014
Hooheno<\/td>		 <\/td>NRS 102-2<\/td>slika nalepnice B
(narandzasta nalepnica)<\/td>		 <\/td><\/tr>
B2. Ka
Lehua I Milia<\/td>		 <\/td> <\/td><\/tr>
B3. Ko
Ma\u02bbi Ho\u02bb Eu\u02bb Eu (A Personal Chant For King Kalakaua)<\/td>		Joseph Kahauleio \u2014 Hooheno<\/td> <\/td> <\/td><\/tr>
B4.
Aloha Kauai<\/td>		Hooheno Serenaders<\/td> <\/td> <\/td><\/tr>
B5.
Kipu-Kai<\/td>		 <\/td> <\/td><\/tr>
B6. Ma\u02bbi
No Iolani<\/td>		Henry Moikeha Pa<\/td> <\/td> <\/td><\/tr>
B7.
Kawika<\/td>		Pele Pukui<\/td> <\/td> <\/td><\/tr>
 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Red.br.unosa Signatura Naslov plo\u010de Sadr\u017eaj\/Repertoar Izvo\u0111a\u010d Trajanje numere Izdava\u010d Zemlja Godina Katalo\u0161kibroj Broj matrice Mestosnimanja\/studio\/lokacija\/godina Tip snimka M\/S Nalepnica (link) Omot (link) Prate\u0107i materijal(programska knji\u017eica, itd) Digitalna kopija Fizi\u010dko stanjeplo\u010de Ostalo (pe\u010dat,i sl.) 101   Folk Music Of TheUnited States. Seneca Songs From Coldspring Longhouse. Recorded and Edited byWilliam N. Fenton A1. Gane’O’On The Drum […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5467","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/comments?post=5467"}],"version-history":[{"count":1,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5467\/revisions"}],"predecessor-version":[{"id":5469,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5467\/revisions\/5469"}],"wp:attachment":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/media?parent=5467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}