{"id":5442,"date":"2025-02-15T17:59:29","date_gmt":"2025-02-15T17:59:29","guid":{"rendered":"https:\/\/appmes.rs\/?page_id=5442"},"modified":"2025-02-15T17:59:29","modified_gmt":"2025-02-15T17:59:29","slug":"poland","status":"publish","type":"page","link":"https:\/\/appmes.rs\/index.php\/poland\/","title":{"rendered":"Poland"},"content":{"rendered":"\n
Red.br.
unosa<\/td>		Signatura<\/td>Naslov plo\u010de<\/td>Sadr\u017eaj\/Repertoar<\/td>Izvo\u0111a\u010d<\/td>Trajanje numere<\/td>Izdava\u010d<\/td>Zemlja<\/td>Godina<\/td>Katalo\u0161ki broj<\/td>Broj matrice<\/td>Mesto
snimanja\/studio\/lokacija\/godina<\/td>		Tip snimka M\/S<\/td>Nalepnica (link)<\/td>Omot (link)<\/td>Prate\u0107i materijal
(programska knji\u017eica, itd)<\/td>		Digitalna kopija<\/td>Fizi\u010dko stanje
plo\u010de<\/td>		Ostalo (pe\u010dat, i
sl.)<\/td><\/tr>
128<\/td> <\/td>Polska muzyka ludowa :
Pory Roku na wsi Pszczy\u0144skiej<\/span><\/td>		A1. Moik (Wiosna = Spring)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 1.
Najstarszy szewc umar\u0142<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 2.
Ty moja c\u00f3runiu<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 3.
C\u00f3ru\u015b moja<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 4.
Ten moiczek, ten zielony<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 5.
S\u0105decki – taniec (dance)<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 6.
Przy\u015bpiewki I (Songs)<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 7.
Najstarszy szewc umar\u0142<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 8
Suszeckie dziewczyny<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 9. W
lesie, w lesie<\/td>		\u015bpiew-kapela-gadka
(voc.-band-tale)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 10.
O\u017ceni\u0142em si\u0119 zesz\u0142ego roku<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 11.
Jak \u017cem by\u0142 m\u0142odzie\u0144cem (waloszek)<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 12.
Przy\u015bpiewki II (Songs)<\/td>		\u015bpiew (voc.)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 13.
Polka w lewo – taniec (dance)<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A1. 14.
Dzi\u0119ciolinek stuka<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2.
\u017bniw\u00f3wka (Lato = Summer)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 1.
Spad\u0142a z g\u00f3ry do piwnicy<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 2.
Na wysokiej g\u00f3rze<\/td>		\u015bpiew-kapela-gadka
(voc.-band-tale)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 3. U
nas wedle m\u0142yna<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 4.
Posz\u0142a baba do s\u0105siada<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 5.
\u017beby si\u0119 ta cnota<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 6.
U\u0142an<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
A2. 7.
Przy piecu sta\u0142a<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1.
Podzimiec (Jesie\u0144 = Autumn)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td>S3XV 30764B-3 C<\/td> <\/td> <\/td>slika nalepnice B
(crvena nalepnica)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 1.
Ju\u017c ci nocka<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 2.
Przy\u015bpiewki (Songs)<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 3.
Szmaciarz<\/td>		\u015bpiew-kapela-gadka
(voc.-band-tale)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 4.
Gorza\u0142ka jest dobra<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 5.
Trojak – taniec (dance)<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 6.
Gdybym ja by\u0142<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 7.
Cygan<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 8.
Pod t\u0105 nasz\u0105 szopk\u0105<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B1. 9.
Zaj\u0105czek<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2.
Zopusty (Zima = Winter)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 1.
Zopust, zopust<\/td>		\u015bpiew-kapela-gadka
(voc.-band-tale)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 2.
Polka w lewo – taniec (dance)<\/td>		kapela (band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 3.
Kowal<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 4.
Pas\u0142a Ancia<\/td>		\u015bpiew-kapela-gadka
(voc.-band-tale)<\/td>		 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 5.
Kt\u00f3r\u0119dy, kt\u00f3r\u0119dy<\/td>		\u015bpiew (voc.)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 6.
Dajcie nam, dajcie<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 7.
Dziad<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 8.
Pojmij mnie Jasiu<\/td>		\u015bpiew (voc.)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 9.
S\u0142u\u017cy\u0142 Jura<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
B2. 10.
Zielono zasia\u0142am<\/td>		\u015bpiew-kapela (voc.-band)<\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr>
286<\/td> <\/td>\u015al\u0105sk – Pa\u0144stwowy
zespo\u0142 ludowy pie\u015bni i ta\u0144ca<\/td>		A1. Trzysta buczk\u00f3w (melodia i
s\u0142owa ludowe opr. St. Hadyna )<\/td>		\u015al\u0105sk – Pa\u0144stwowy
zespo\u0142 ludowy pie\u015bni i ta\u0144ca. Kier. Art. Stanis\u0142aw Hadyna<\/td>		 <\/td>Muza<\/td>Poljska<\/td>1959<\/td>L0153<\/td>N.W. 56\u00b3 M-A<\/td> <\/td> <\/td>slika nalepnice A
(crvena nalepnica)<\/td>		foto+tekst<\/td>Tekst na pole\u0111ini omota
na poljskom jeziku.<\/td>		 <\/td>neo\u0161te\u0107ena<\/td>Na pole\u0111ini omota
upisano rukom, \u0107irilicom “Poklonio [ne\u010ditko] Radmili” (prim. MM).
Pre\u010dnik 25 cm.<\/td><\/tr>
A2.
Ha\u0144 daleko (muzyka St. Hadyna, s\u0142owa Z. Pyzik)<\/td>		 <\/td><\/tr>
A3.
Dzban (muzyka St. Hadyna, s\u0142owa ludowe)<\/td>		 <\/td><\/tr>
A4.
Pod moim okienkiem (melodia i s\u0142owa ludowe)<\/td>		 <\/td><\/tr>
A5.
Dziadek (muzyka i s\u0142owa St. Hadyna)<\/td>		 <\/td><\/tr>
B1. Ida
gorale (muzyka i s\u0142owa St. Hadyna)<\/td>		 <\/td>NW 57.2<\/span> ZA<\/span><\/td>slika nalepnice B
(crvena nalepnica)<\/td><\/tr>
B2.
Hanulinka (melodia i s\u0142owa ludowe opr. St. Hadyna )<\/td>		 <\/td><\/tr>
B3. Co\u015b
tam w lesie (melodia i s\u0142owa ludowe)<\/td>		 <\/td><\/tr>
B4.
Kolysanka (muzyka i s\u0142owa St. Hadyna)<\/td>		 <\/td><\/tr>
B5.
Idzie g\u00f3rnik (muzyka St. Hadyna, s\u0142owa Z. Pyzik)<\/td>		 <\/td><\/tr>
B6. Na
Kopalni (muzyka St. Hadyna, s\u0142owa Z. Pyzik)<\/td>		 <\/td><\/tr>
B7.
Froncek (muzyka St. Hadyna, s\u0142owa ludowe)<\/td>		 <\/td><\/tr>
287<\/td> <\/td>Masowsze – Pa\u0144stwowy
zesp\u00f3\u0142 ludowy pie\u015bni I ta\u0144ca \u2013 kierownik artystyczny: Tadeusz Sygiety\u0144ski<\/td>		A1. W kadzidla\u0144skim boru (Oprac.
muz.: Tadeusz Sygiety\u0144ski. S\u0142owa ludowe od Kadzid\u0142a)<\/td>		Masowsze – Pa\u0144stwowy
zesp\u00f3\u0142 ludowy pie\u015bni I ta\u0144ca \u2013 kierownik artystyczny: Tadeusz Sygiety\u0144ski<\/td>		 <\/td>Muza<\/td>Poljska<\/td>\/<\/td>L0023<\/td>W696<\/span> HG<\/span><\/td> <\/td> <\/td>slika nalepnice A
(svetlo\u017euta nalepnica)<\/td>		foto+tekst<\/td>Tekst na pole\u0111ini omota
na poljskom jeziku.<\/td>		 <\/td>neo\u0161te\u0107ena<\/td>Na pole\u0111ini omota
upisano rukom, \u0107irilicom “Poklonio [ne\u010ditko] Radmili” (prim. MM).
Pre\u010dnik 25 cm.<\/td><\/tr>
A2. W olszynie (Muzyka: Tadeusz Sygiety\u0144ski.
S\u0142owa ludowe z Karolina)<\/td>		 <\/td><\/tr>
A3.
Szyszki (Opracowanie: Tadeusz Sygiety\u0144ski. S\u0142owa ludowe od Lubani)<\/td>		 <\/td><\/tr>
A4.
Mazowsze (Muzyka: Tadeusz Sygiety\u0144ski. S\u0142owa J. Ficowski)<\/td>		 <\/td><\/tr>
B1. Do
slubu, marysiu (Muzyka: Tadeusz Sygiety\u0144ski. S\u0142owa ludowe z Karolina)<\/td>		 <\/td>N.W. 39xx<\/span> M<\/span><\/td>slika nalepnice B
(svetlo\u017euta nalepnica)<\/td><\/tr>
B2. E
j, przelecia\u0142 ptaszek (Muzyka: Tadeusz Sygiety\u0144ski. S\u0142owa ludowe)<\/td>		 <\/td><\/tr>
B3.
Kuku\u0142eczka (Opracowanie muz.: Tadeusz Sygiety\u0144ski. S\u0142owa ludowe od
P\u0142o\u0144ska)<\/td>		 <\/td><\/tr>
B4.
Polka tramblanka (Opracowanie: Tadeusz Sygiety\u0144ski. S\u0142owa ludowe od Opoczna)<\/td>		 <\/td><\/tr>
288<\/td> <\/td>Grajcie Dudy Grajcie
Basy – Polish Folk Music<\/td>		A1. Region of Mazowsze: District
of Rawa Mazowiecka: Oberek With Couplets: a) Oh, Play Me What I Want, b) Oh,
Glina, You Poor Village, c) I Love The Country Of The Sunrise, d) Oh, My Good
Player, Your Moustache Is Rotten, e) I Know A Whole Sack Of Songs<\/td>		Anna Koprek – vocals,
J\u00f3zef Szafra\u0144ski – fiddle, W\u0142adys\u0142aw Kretek – threestringed bass fiddle,
Maria Kretek – a drum with cymbals<\/td>		 <\/td>Muza<\/td>Poljska<\/td>1976<\/td>SX 1125-1126<\/td>S3X 1125 A<\/td>1971.<\/td>S<\/td>slika nalepnice A
(crvena nalepnica)<\/td>		foto+tekst<\/td>Programska knji\u017eica na
poljskom i engleskom jeziku, 14 strana. Autor teksta: Jadwiga Sobieska, prev.
Kazimierz Czy\u017c. Iz knji\u017eice: “The recordings come from the collection of
the Institute of Arts of the Polish Academy of Sciences, Warsaw (record I, side
A – tracks 1, 12, 13; 1 B 2, 6, 13-16, 20, 21), the collection of the State
School of Music, Warsaw (1 A – tracks 2-5, 7-11, 14, 15; 1 B – 3-5, 7-12,
17-19, 22, 23; I1 A 2-14; I1 B – 1-17) and from the private collection of
Marian and Jadwiga Sobieski, Warsaw (I A – 6; I B – 1: 11 A – 1). The
documentary notes include: name, surname, birthdate and residence of
performers, and the date of the recording. Letter \u2013 R stands for
reconstruction of original recording. Reconstruction of old recordings, production
of new ones and sound engineering were done by the staff of the Music
Production Department of the State School of Music in Warsaw with Jadwiga
Sobieska – ethno- musicological supervision and Wladystaw Wygnanski as a
technologie producer.”<\/td>		 <\/td>neo\u0161te\u0107ena<\/td> <\/td><\/tr>
A2.
Region of Mazowsze: District of Rawa Mazowiecka: The Oberek<\/td>		 <\/td><\/tr>
A3.
Region of Mazowsze: District of Skierniewice: Oberek with couplets: a) I Love
Dancing Polka And Oberek, b) Play Me Something Nice On Your Fiddle, c) I
Won’t Reap Rye Because My Dress Would Get Wrinkled, d) Where Are You Going,
Woman? To The Barn For Rye<\/td>		J\u00f3zefa Graszka – vocals,
Stanis\u0142aw Klejnas – fiddle, Anna Baranowska – three-stringed bass fiddle,
Henryk Baranowski – tambourine<\/td>		 <\/td>1972.<\/td><\/tr>
A4.
Region of Mazowsze: District of Skierniewice: The Polka<\/td>		 <\/td><\/tr>
A5.
Region of Mazowsze: District of \u0141owicz: Oberek with couplets: a) Where Are
The Musicians From? Probably From Pilica, b) The Musicians Play Well, They’re
Invited For Weddings, c) Ah Musicians, Play Me A Tune; How Long Shall I Stand
Here?, d) Oh Musicians, Play: You\u2019re Paid So Much, e) I Would Sing Somehow,
But I Don’t Know What, f) Oh, If 1 Had Good Shoes, g) I Would Sing You More,
But I Don’t Know What<\/td>		Waleria Czubak
– vocals, Jan Krystecki – fiddle, Stefan Winnicki – three-row accordion, Jan
Szafraniec – a drum with a triangel<\/span><\/td>		 <\/td>1973.<\/td><\/tr>
A6.
Region of Mazowsze: Border of Kutno and \u0141owicz districts: Oberek from Osmolin<\/td>		W\u0142adys\u0142aw Biedrzycki – fiddle,
Adam Radzymi\u0144ski, three-row accordion<\/td>		 <\/td>1959. R. (u ovom izdanju, slovo
“R” ozna\u010dava rekonstruisani snimak, prim. MM – vidi napomenu)<\/td><\/tr>
A7.
Region of Kurpie: Who’s Making The
Noise In The Larder?<\/td>		Waleria, \u017barnochowa \u2013
vocals; common sing: Waleria \u017barnochowa; Zofia Kaczmarczyk, Genowefa
Bruderek, W\u0142adys\u0142awa Turek<\/td>		 <\/td>1974.<\/td><\/tr>
A8.
Region of Kurpie: Open The Door, Don’t Let Us Stand Here<\/td>		 <\/td><\/tr>
A9.
Region of Kurpie: Mary, Don’t Stand Like A Pole<\/td>		 <\/td><\/tr>
A10.
Region of Kurpie: I’ve Been In The Church<\/td>		 <\/td><\/tr>
A11.
Region of Kurpie: Go, Stanley, God Speed You<\/td>		 <\/td><\/tr>
A12.
Region of Masuria and Warmia: The Szot Dance: Play Me A Szot<\/td>		Micha\u0142 Lengowski – vocals<\/td> <\/td>?<\/td><\/tr>
A13.
Region of Masuria and Warmia: Walking Dance: The Wolf Is Here And The Goat Is
Out<\/td>		Jakub Bem \u2013 vocals<\/td> <\/td>1950. R.<\/td><\/tr>
A14.
Region of Masuria and Warmia: Our Mother Catherine Has Burned Father’s Nose<\/td>		Henryk Paw\u0142owski – vocals,
accompanied by Stanis\u0142aw Zab\u0142ocki on the “skrzypce diabelne” –
“devil’s fiddle”<\/td>		 <\/td>1974.<\/td><\/tr>
A15.
Region of Masuria and Warmia: Qadrille<\/td>		Edward Makasewicz \u2013 cimbalom<\/td> <\/td><\/tr>
B1. Border of Ziemia Lubuska and Wielkopolska
Regions: Walking Dance<\/td>		Tomasz \u015aliwa – “koziol”
\u2013 bagpipe<\/td>		 <\/td>S3 X 1125 B<\/td>1956. R.<\/td>slika nalepnice B
(crvena nalepnica)<\/td><\/tr>
B2.
Border of Ziemia Lubuska and Wielkopolska Regions: I Had A Beautiful Boy<\/td>		Marianna Dura \u2013 vocals<\/td> <\/td>1954. R.<\/td><\/tr>
B3.
Border of Ziemia Lubuska and Wielkopolska Regions: I Was In Ihe Garden And
Made Three Wreaths<\/td>		Katarzyna Janeczek \u2013 vocals<\/td> <\/td>1974.<\/td><\/tr>
B4.
Border of Ziemia Lubuska and Wielkopolska Regions: The Moon Is Shining And I
Am Happy<\/td>		Katarzyna Heppel \u2013 vocals<\/td> <\/td><\/tr>
B5.
Border of Ziemia Lubuska and Wielkopolska Regions: If You Knew How I Love
Sunday<\/td>		Katarzyna Gattner \u2013 vocals<\/td> <\/td><\/tr>
B6.
Border of Ziemia Lubuska and Wielkopolska Regions: Hey, Boys, Where Are You
Coming From<\/td>		Halina Domaga\u0142a- vocals<\/td> <\/td>1954. R.<\/td><\/tr>
B7.
Border of Ziemia Lubuska and Wielkopolska Regions: The Wisielok Dance<\/td>		The youth bagpipe band from the
House of Culture “Kolejarz” in Zb\u0105szynek, Jolanta Kwa\u015bna – fiddle,
J\u0119drzej Bre\u015b – “kozio\u0142” – bagpipe, Piotr Kwa\u015bny – E flat clarinet,
Leader – Tomasz Kotkowiak<\/td>		 <\/td>1974.<\/td><\/tr>
B8.
Border of Ziemia Lubuska and Wielkopolska Regions: The Wiwat Dance<\/td>		The bagpipe band: Piotr Bia\u0142ecki –
fiddle, Andrzej Karpacki- “kozio\u0142” – bagpipe, Franciszek Domaga\u0142a –
E flat clarinet<\/td>		 <\/td>1973.<\/td><\/tr>
B9.
Border of Ziemia Lubuska and Wielkopolska Regions: The Round Dance with
couplet: What A Woman That Is Afraid Of A Pistol<\/td>		Franciszek Domaga\u0142a \u2013 vocals<\/td> <\/td><\/tr>
B10.
Region of Wielkopolska: The Wiwat Dance<\/td>		The bagpipe band:
Walenty \u017bmuda – fiddle with capotasto, Szczepan Sadowski –
“dudy”<\/td>		 <\/td>1972.<\/td><\/tr>
B11.
Region of Wielkopolska: The Polka<\/td>		 <\/td><\/tr>
B12.
Region of Wielkopolska: The Oberek<\/td>		The bagpipe band: Wincenty Lorek –
fiddle with capotasto, Franciszek Wielebski – “dudy” \u2013 bagpipe<\/td>		 <\/td><\/tr>
B13.
Region of Wielkopolska: You Need A Help, Girl, Not To Stand With Boys In The
Night<\/td>		Franciszka Ciesio\u0142k\u00f3wna
– vocals<\/td>		 <\/td>1954. R.<\/td><\/tr>
B14.
Region of Wielkopolska: Go To The Water, Geese<\/td>		 <\/td><\/tr>
B15.
Region of Wielkopolska: On This Side Of The Lake A Fish Is Drinking Water<\/td>		 <\/td><\/tr>
B16.
Region of Wielkopolska: If You Don’t Like My Singing<\/td>		 <\/td><\/tr>
B17.
Region of Wielkopolska: The Wiwat Dance with couplet: You Have Sky-blue Eyes,
Dear Lass<\/td>		The band from Szamotu\u0142y:
Ludwik Wojciechowski – fiddle, Stanis\u0142aw Grenda – C clarinet, W\u0142adys\u0142aw Orlik
– “maryna” (a threestringed bass fiddle with a percussion device),
Maria Orlik- vocals<\/td>		 <\/td>1973.<\/td><\/tr>
B18.
Region of Wielkopolska: Round And Round<\/td>		 <\/td><\/tr>
B19.
Region of Kaszuby: Bazuna Signals<\/td>		Roman Pryczkowski – 1st
“bazuna” (wooden trumpet), Ludwik Choszcz – 2nd “bazuna”.
The members of the Regional Ensemble “Kaszuby” of the Distr. House
of Culture in Kartuzy.<\/td>		 <\/td>1974.<\/td><\/tr>
B20.
Region of Kaszuby: The Koseder<\/td>		Franciszek Rybakowski \u2013 button
accordion<\/td>		 <\/td>1950. R.<\/td><\/tr>
B21.
Region of Kaszuby: On This Side Of The Lake A Girl Is Drowning<\/td>		Albert Patok – vocals, The band:
Sylwester Sikora – fiddle, Andrej Piastowski – “skrzypce
diabelskie” – “devil’s fiddle”, Maria Piastowska –
“burczybas \u0142a\u0144cuchowy” – chain gutbucket (rommelpol), Kazimierz
Kitowski – “burczybas w\u0142\u00f3siany” \u2013 horsehair gutbucket. The members
of the Regional Ensemble “Kaskubskie Bazuny”, Le\u017ano, distr, of
Kartuzy.<\/td>		 <\/td>1950. R.<\/td><\/tr>
B22.
Region of Kaszuby: The Tabacznik Polka<\/td>		Sylwester Sikora – fiddle, Andrej
Piastowski – “skrzypce diabelskie” – “devil’s fiddle”,
Maria Piastowska – “burczybas \u0142a\u0144cuchowy” – chain gutbucket
(rommelpol),Jerzy Kaminski – obligato fiddle, 1948, Aleksander Tomaczkowski \u2013
vocals<\/td>		 <\/td>1974.<\/td><\/tr>
B23.
Region of Kaszuby: The shepherd: The Sheep Are Walking Around. The Bells Are
Ringing, The Shepherds Look For Their Sheep<\/td>		proveriti * nejasno\u0107e oko
navo\u0111enja izvo\u0111a\u010da u bukletu (prim MM)<\/td>		 <\/td> <\/td><\/tr>
C1. Region of Opoczno: I’m Digging Potatoes And
Beets<\/td>		Aniela \u015awi\u0105tek \u2013 vocals<\/td> <\/td>S 3 X 1126 A – 3 C<\/td>1957. R.<\/td>slika nalepnice C
(crvena nalepnica)<\/td><\/tr>
C2. Region of Opoczno: The Oberek with
couplets: a) Leaves Were Rustling On The Nut-tree, b) Up My Ladder, c) He
Called Me Upstairs, To Give Me A Cake, d) He Called Me Upstairs, He Tempted
Me, e) I Have Loved One Man And It Wasn’t Wrong With Me<\/td>		The band: Katarzyna Nita
– vocals, Stanis\u0142aw Kaleta – fiddle, Bronis\u0142aw Steleblak – tambourin<\/td>		 <\/td>1974.<\/td><\/tr>
C3. Region of Opoczno: The Oberek<\/td> <\/td><\/tr>
C4. Region of Opoczno: The Polka<\/td> <\/td><\/tr>
C5.
Region of Opole Silesia: The Drake And The Gander Dances<\/td>		The brass band
“Dziergowice” of the House of Culture “Chemik” of
Nitrogen Plants in K\u0119dzierzyn: 2 B flat cornets, 3 B flat tenor saxhorns, B
flat tuba and a bass drum with cymbals.<\/td>		 <\/td><\/tr>
C6.
Region of Opole Silesia: Walking Dance – The Girls Are Sleeping In
Dziergowice<\/td>		 <\/td><\/tr>
C7.
Region of Opole Silesia: The March – Oh, You Fancy Bird<\/td>		 <\/td><\/tr>
C8.
The Silesian Beskid Highland: Shepherd’s Tune<\/td>		Zuzanna Kawulok-
“tr\u0105bita” (long wooden trumpet)<\/td>		 <\/td><\/tr>
C9.
The Silesian Beskid Highland: Singing Melody: Tell Me Darling<\/td>		J\u00f3zef Broda – “piszcza\u0142ka
postna” (pipe without finger holes)<\/td>		 <\/td><\/tr>
C10.
The Silesian Beskid Highland: I Am Longin For My Mountains<\/td>		Jan Sikora – fiddle,
vocals, J\u00f3zef Broda – “gajdy” – bagpipe, vocals<\/td>		 <\/td><\/tr>
C11.
The Silesian Beskid Highland: The Linder Dance<\/td>		 <\/td><\/tr>
C12.
The Silesian Beskid Highland: Crazy Polka: Play Us A Polka<\/td>		 <\/td><\/tr>
C13.
Podhale Highland: Highlander’s Tunes: a) The March, b) Tune called
“processional” c) Saba\u0142a’s Tune, d) Tunes called
“striking”, e) Brigand\u2019s Dance Tune, f) Green Tune<\/td>		The band: W\u0142adys\u0142aw
Stefaniak – 1st fiddle, Jan Budz – 2nd fiddle I, J\u00f3zef Stefaniak – 2nd fiddle
II, Andrzej Stefaniak – bass fiddle, W\u0142adys\u0142aw Stefaniak, vocals<\/td>		 <\/td><\/tr>
C14.
Podhale Highland: Tunes called “Mountain-Peak”: a) Oh, Play My
Bagpipe, b) When Saba\u0142a Was Walking In The Mountains<\/td>		 <\/td><\/tr>
D1.
Region of Bi\u0142goraj: Mammy, Don’t Wake Me Up In The Morning<\/td>		Anna Malec \u2013 vocals<\/td> <\/td>S 3 X 1126 B – 2 C<\/td>1973.<\/td>slika nalepnice D
(crvena nalepnica)<\/td><\/tr>
D2.
Region of Bi\u0142goraj: Something To Listen To<\/td>		Franciszek B\u017adziuch \u2013 fiddle<\/td> <\/td><\/tr>
D3.
Region of Bi\u0142goraj: The Suwany Dance<\/td>		The band: Franciszek
B\u017adziuch- fiddle; Jan B\u017adziuch \u2013 tambourine<\/td>		 <\/td><\/tr>
D4.
Region of Bi\u0142goraj: The Oberek<\/td>		 <\/td><\/tr>
D5.
Region of Bi\u0142goraj: The Polka<\/td>		 <\/td><\/tr>
D6.
Region of Rzesz\u00f3w: The Slow Dance<\/td>		The band: Wojciech Sowa
\u2013 1st fiddle, J\u00f3zef Sowa 2nd fiddle, Piotr Sowa – double bass<\/td>		 <\/td>1974<\/td><\/tr>
D7.
Region of Rzesz\u00f3w: The Polka<\/td>		 <\/td><\/tr>
D8.
Region of Rzesz\u00f3w: Walking Dance: My Gray Pigeon Have Flown Apart<\/td>		The band: Wojciech Sowa – 1st
fiddle; Antoni Domin – 1st fiddle, J\u00f3zef Sowa – 2nd fiddle; Antoni Kleczy\u0144ski
– cimbalom, Jan Krzto\u0144 – B flat clarinet, Micha\u0142 Chrzan – A clarinet, Piotr
Sowa – double bass, Augustyn Bober, vocals<\/td>		 <\/td><\/tr>
D9.
Region of Rzesz\u00f3w: The Tramelka<\/td>		The band: Wojciech Sowa
– 1st fiddle; Antoni Domin – 1st fiddle, J\u00f3zef Sowa – 2nd fiddle; Antoni
Kleczy\u0144ski – cimbalom, Jan Krzto\u0144 – B flat clarinet, Micha\u0142 Chrzan – A
clarinet, Piotr Sowa – double bass<\/td>		 <\/td><\/tr>
D10.
Region of Rzesz\u00f3w: The Suwana Polka<\/td>		 <\/td><\/tr>
D11.
Region of Rzesz\u00f3w: The Krzyzak Dance with couplets: a) I Am Free But Not For
The War, b) Hey, Pi\u0105tkowa Is A Bautiful Valley, c) You May Love Me Or Not,
It’s Up To You<\/td>		The band: Wojciech Sowa – 1st
fiddle; Antoni Domin – 1st fiddle, J\u00f3zef Sowa – 2nd fiddle; Antoni Kleczy\u0144ski
– cimbalom, Jan Krzto\u0144 – B flat clarinet, Micha\u0142 Chrzan – A clarinet, Piotr
Sowa – double bass, Alicja Sowa, Stanis\u0142aw P\u0119pek, vocals<\/td>		 <\/td><\/tr>
D12.
Region of Nowy S\u0105cz: Walking Dance<\/td>		The band: Rudolf
J\u00f3zefowski – 1st fiddle, J\u00f3zef J\u00f3zefowski – 2nd fiddle, Edward Turski – B
flat clarinet, Jan Szabla – B flat trumpet, J\u00f3zef Wojs\u0142aw – double bass,
Vocals by all the members of the band. All are the members of the Regional
Ensemble “Lachy” at the CPLiA Cooperative “Tw\u00f3rezo\u015b\u0107” in
Nowy Sqcz.<\/td>		 <\/td><\/tr>
D13.
Region of Nowy S\u0105cz: The Krakowiak: I Would Marry A Goat If She Were
Rich<\/td>		 <\/td><\/tr>
D14.
Region of Nowy S\u0105cz: The Polka<\/td>		 <\/td><\/tr>
D15.
Region of Nowy S\u0105cz: The Tramel-Polka<\/td>		 <\/td><\/tr>
D16.
Region of Nowy S\u0105cz: Crazy Polka<\/td>		 <\/td><\/tr>
D17.
Region of Nowy S\u0105cz: The Krakowiak<\/td>		 <\/td><\/tr>
 <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td> <\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Red.br.unosa Signatura Naslov plo\u010de Sadr\u017eaj\/Repertoar Izvo\u0111a\u010d Trajanje numere Izdava\u010d Zemlja Godina Katalo\u0161ki broj Broj matrice Mestosnimanja\/studio\/lokacija\/godina Tip snimka M\/S Nalepnica (link) Omot (link) Prate\u0107i materijal(programska knji\u017eica, itd) Digitalna kopija Fizi\u010dko stanjeplo\u010de Ostalo (pe\u010dat, isl.) 128   Polska muzyka ludowa :Pory Roku na wsi Pszczy\u0144skiej A1. Moik (Wiosna = Spring)             […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5442","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/comments?post=5442"}],"version-history":[{"count":1,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5442\/revisions"}],"predecessor-version":[{"id":5444,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5442\/revisions\/5444"}],"wp:attachment":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/media?parent=5442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}