{"id":5155,"date":"2025-02-13T17:11:58","date_gmt":"2025-02-13T17:11:58","guid":{"rendered":"https:\/\/appmes.rs\/?page_id=5155"},"modified":"2025-02-14T12:50:13","modified_gmt":"2025-02-14T12:50:13","slug":"izvori-i-bibliografija","status":"publish","type":"page","link":"https:\/\/appmes.rs\/index.php\/izvori-i-bibliografija\/","title":{"rendered":"IZVORI I BIBLIOGRAFIJA (Izlo\u017eba i katalog izlo\u017ebe)"},"content":{"rendered":"\n<p><strong>NEOBJAVLJENA ARHIVSKA GRA\u0110A<\/strong><\/p>\n\n\n\n<p>Arhiv Jugoslavije Beograd <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Komitet za kulturu i umetnost pri Vladi FNRJ (AJ-314)<\/li>\n\n\n\n<li>Komitet za \u0161kole i nauku pri Vladi FNRJ (AJ-315)<\/li>\n\n\n\n<li>Ministarstvo za nauku i kulturu Vlade FNRJ (AJ-316)<\/li>\n\n\n\n<li>Savet za nauku i kulturu Vlade FNRJ (AJ-317)<\/li>\n\n\n\n<li> Savezna komisija za kulturne veze sa inostranstvom (AJ-559)<\/li>\n\n\n\n<li>Fotoarhiv Novinske agencije TANJUG (AJ-112f)<\/li>\n<\/ul>\n\n\n\n<p>Muzikolo\u0161ki institut SANU, Beograd<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fond fotografija<\/li>\n\n\n\n<li>Zaostav\u0161tina akademika Dimitrija Stefanovi\u0107a (u obradi)<\/li>\n<\/ul>\n\n\n\n<p>Muzej pozori\u0161ne umetnosti Srbije, Beograd<\/p>\n\n\n\n<p>Istra\u017eiva\u010dko-dokumentacioni centar Narodnog Pozori\u0161ta u Beogradu<\/p>\n\n\n\n<p>Arhiva Beogradske filharmonije<\/p>\n\n\n\n<p>Arhiva Ansambla narodnih pesama i igara <em>Kolo<\/em>, Beograd<\/p>\n\n\n\n<p>Arhiva Akademskog kulturno-umetni\u010dkog dru\u0161tvo <em>Branko Krsmanovi\u0107<\/em>, Beograd<\/p>\n\n\n\n<p>Arhiva porodice \u010cangalovi\u0107, Beograd<\/p>\n\n\n\n<p>Arhiva \u017divojina Zdravkovi\u0107a, Beograd<br><\/p>\n\n\n\n<p><strong>OBJAVLJENA ARHIVSKA GRA\u0110A<\/strong><\/p>\n\n\n\n<p>\u0414\u043e\u043a\u043d\u0438\u045b, \u0434\u0440 \u0411\u0440\u0430\u043d\u043a\u0430, \u041c\u0438\u043b\u0438\u045b \u0424. \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u045b, \u0418\u0432\u0430\u043d \u0425\u043e\u0444\u043c\u0430\u043d, \u043f\u0440\u0438\u0440. 2009. <em>\u041a\u0443\u043b\u0442\u0443\u0440\u043d\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 1945\u20131952<\/em>. <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0430\u0442\u0430 I<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0410\u0440\u0445\u0438\u0432 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435.<br><br>\n\u0110ilas, Milovan. 1985. \u201eProblem \u0161kolstva u borbi za socijalizam u na\u0161oj zemlji\u201d. U <em>Sednice Centralnog komiteta KPJ (1948\u20131952)<\/em>, prir. Branko Petranovi\u0107, Ranko Kon\u010dar i Radovan Radonji\u0107, 287\u2013320. Beograd: Komunist.<br><br>\nPetranovi\u0107, Branko. 1995. <em>Zapisnici sa sednica Poltibiroa Centralnog komiteta KPJ (11. jun 1945\u20137. jul 1948).<\/em> Beograd: Arhiv Jugoslavije i Slu\u017ebeni list SRJ.<\/p>\n\n\n\n<p><strong>OSTALI OBJAVLJENI ISTORIJSKI IZVORI <\/strong><\/p>\n\n\n\n<p><em>\u0411\u043e\u0440\u0431\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u0441\u0442\u0430 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 \u0437\u0430 \u0441\u043e\u0446\u0438\u0458\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u043a\u0443 \u0434\u0435\u043c\u043e\u043a\u0440\u0430\u0442\u0438\u0458\u0443, VI \u043a\u043e\u043d\u0433\u0440\u0435\u0441 \u041a\u041f\u0408 (\u0421\u0430\u0432\u0435\u0437\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u0441\u0442\u0430 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435).<\/em> 1952. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041a\u0443\u043b\u0442\u0443\u0440\u0430.<br><br> \u0110ilas, Milovan. 1948. \u201eIzve\u0161taj o agitaciono-propagandnom radu\u201d. <em>V kongres Komunisti\u010dke partiije Jugoslavije: izve\u0161taji, referati,<\/em> 241\u2013294. Zagreb: Kultura. <br><br>\u041a\u0440\u043b\u0435\u0436\u0430, \u041c\u0438\u0440\u043e\u0441\u043b\u0430\u0432. 1961. \u201e\u0413\u043e\u0432\u043e\u0440 \u043d\u0430 \u043a\u043e\u043d\u0433\u0440\u0435\u0441\u0443 \u043a\u045a\u0438\u0436\u0435\u0432\u043d\u0438\u043a\u0430 \u0443 \u0409\u0443\u0431\u0459\u0430\u043d\u0438\u201d. <em>\u041a\u045a\u0438\u0433\u0430 \u0435\u0441\u0435\u0458\u0430<\/em>, 187\u2013223. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0421\u0440\u043f\u0441\u043a\u0430 \u043a\u045a\u0438\u0436\u0435\u0432\u043d\u0430 \u0437\u0430\u0434\u0440\u0443\u0433\u0430.<br><br> <em>V \u043a\u043e\u043d\u0433\u0440\u0435\u0441 \u041a\u043e\u043c\u0443\u043d\u0438\u0441\u0442\u0438\u0447\u043a\u0435 \u043f\u0430\u0440\u0442\u0438\u0458\u0435 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 21\u201328 \u0458\u0443\u043b\u0430 1949. \u0421\u0442\u0435\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0435 \u0431\u0435\u043b\u0435\u0448\u043a\u0435. <\/em>1949. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041a\u0443\u043b\u0442\u0443\u0440\u0430.<br><br> \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u045b, \u0420\u0430\u0441\u0442\u043a\u043e. 2023. <em>\u0410\u0444\u0440\u0438\u043a\u0430.<\/em> \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0421\u043b\u0443\u0436\u0431\u0435\u043d\u0438 \u0433\u043b\u0430\u0441\u043d\u0438\u043a.<\/p>\n\n\n\n<p><strong>LITERATURA<\/strong><\/p>\n\n\n\n<p>\u0411\u0430\u0458\u0433\u0430\u0440\u043e\u0432\u0430, J\u0438\u0442\u043a\u0430 \u0438 \u0408\u043e\u0437\u0435\u0444 \u0428\u0435\u0431\u0435\u0441\u0442\u0430. 2010. \u201e\u0421\u0440\u043f\u0441\u043a\u0438 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u0438 \u043d\u0430 \u043f\u0440\u0430\u0448\u043a\u043e\u043c \u041a\u043e\u043d\u0437\u0435\u0440\u0432\u0430\u0442\u043e\u0440\u0438\u0458\u0443\u043c\u0443 \u0443 \u043f\u0435\u0440\u0438\u043e\u0434\u0443 \u043e\u0434 1918. \u0434\u043e 1938. \u0433\u043e\u0434\u0438\u043d\u0435\u201d. \u0423 <em>\u041f\u0440\u043e\u0441\u0442\u043e\u0440\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430: \u043e\u043f\u0443\u0441 \u0409\u0443\u0431\u0438\u0446\u0435 \u041c\u0430\u0440\u0438\u045b \u0443 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443 \u043c\u0443\u0437\u0438\u043a\u0435 \u045a\u0435\u043d\u043e\u0433 \u0432\u0440\u0435\u043c\u0435\u043d\u0430<\/em>, \u0443\u0440. \u0414\u0435\u0458\u0430\u043d \u0414\u0435\u0441\u043f\u0438\u045b \u0438 \u041c\u0435\u043b\u0438\u0442\u0430 \u041c\u0438\u043b\u0438\u043d, 97\u2013133. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0421\u0410\u041d\u0423 \u0438 \u041e\u0434\u0435\u0459\u0435\u045a\u0435 \u043b\u0438\u043a\u043e\u0432\u043d\u0435 \u0438 \u043c\u0443\u0437\u0438\u0447\u043a\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0421\u0410\u041d\u0423.<br><br>Beki\u0107, Darko. 1988. <em>Jugoslavija u Hladnom ratu<\/em>. Zagreb: Globus.<br><br> Bogeti\u0107, Dragan. 2000. <em>Jugoslavija i Zapad 1952\u20131955: jugoslovensko pribli\u017eavanje NATO-u.<\/em>Beograd: Slu\u017ebeni glasnik.<br><br>Bogeti\u0107, Dragan. 2006. <em>Nova strategija jugoslovenske spoljne politike 1956-1961<\/em>. Beograd: Institut za savremenu istoriju.<br><br> Bond\u017ei\u0107, mr Dragomir. 2004. <em>Beogradski univerzitet 1944\u20131952<\/em>. Beograd: Institut za savremenu istoriju.<br><br>\u0411\u0440\u0430\u043b\u043e\u0432\u0438\u045b, \u041c\u0438\u043b\u043e\u0448. 2022. <em>\u0421\u0442\u0432\u0430\u0440\u0430\u043b\u0430\u0448\u0442\u0432\u043e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0442\u043e\u0440\u0430 \u041f\u0440\u0430\u0448\u043a\u0435 \u0433\u0440\u0443\u043f\u0435 \u043f\u043e\u0441\u043b\u0435 II \u0441\u0432\u0435\u0442\u0441\u043a\u043e\u0433 \u0440\u0430\u0442\u0430 \u0443 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443 \u0435\u0432\u0440\u043e\u043f\u0441\u043a\u0438\u0445 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0441\u0442\u0438\u0447\u043a\u0438\u0445 \u0441\u0442\u0440\u0443\u0458\u0430\u045a\u0430, \u043d\u0435\u043e\u0431\u0458\u0430\u0432\u0459\u0435\u043d\u0430 \u0434\u043e\u043a\u0442\u043e\u0440\u0441\u043a\u0430 \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0458\u0430<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434, \u0424\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u043c\u0443\u0437\u0438\u0447\u043a\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438.<br><br> Ga\u0161i\u0107, Ranka. 2005. <em>Beograd u hodu ka Evropi. Kulturni uticaji Britanije i Nema\u010dke na beogradsku elitu 1918\u20131941.<\/em> Beograd: Institut za savremenu istoriju.<br><br>Dimitrijevi\u0107, Bojan. 2008. \u201eJugoslavija i NATO 1951\u20131958, skica intenzivnih vojnih odnosa\u201d.<br><br> U <em>Spoljna politika Jugoslavije 1950\u20131961. Zbornik radova<\/em>, ur. Slobodan Selini\u0107, 255\u2013274. Beograd: Institut za noviju istoriju Srbije.<br><br> \u0414\u0438\u043c\u0438\u045b, \u0409\u0443\u0431\u043e\u0434\u0440\u0430\u0433. 1996. <em>\u041a\u0443\u043b\u0442\u0443\u0440\u043d\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 \u0443 \u041a\u0440\u0430\u0459\u0435\u0432\u0438\u043d\u0438 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0438 1918\u20131941. \u0414\u0440\u0443\u0448\u0442\u0432\u043e \u0438 \u0434\u0440\u0436\u0430\u0432\u0430<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0421\u0442\u0443\u0431\u043e\u0432\u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u0435.<br><br>Danon, Oskar. 1948. \u201eUloga savremene muzike u dru\u0161tvu\u201c. <em>\u041c\u0443\u0437\u0438\u043a\u0430<\/em> 1: 5\u201316.<br><br>Dimi\u0107, Ljubodrag. 1988. <em>Agitprop kultura. Agitpropovska faza kulturne politike u Srbiji 1945\u20131952<\/em>. Beograd: Rad.<br><br> Dimi\u0107, Ljubodrag. 2014. \u201eJugoslovensko-sovjetski odnosi: pogled diplomata sa Zapada (1944\u20131946)\u201d. <em>Jugoslavija i Hladni rat. Ogledi o spoljnoj politici Josipa Broza Tita (1944\u20131974)<\/em>, 33\u201367. Beograd: Arhipelag.<br><br> \u0414\u0438\u043c\u0438\u045b, \u0409\u0443\u0431\u043e\u0434\u0440\u0430\u0433. 2022. <em>\u0418\u0437\u043c\u0435\u0452\u0443 \u0418\u0441\u0442\u043e\u043a\u0430 \u0438 \u0417\u0430\u043f\u0430\u0434\u0430. \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0430, \u0432\u0435\u043b\u0438\u043a\u0435 \u0441\u0438\u043b\u0435 \u0438 \u043f\u0438\u0442\u0430\u045a\u0435 \u0431\u0435\u0437\u0431\u0435\u0434\u043d\u043e\u0441\u0442\u0438 \u0443 \u0415\u0432\u0440\u043e\u043f\u0438 (1945\u20131975)<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0418\u041a \u201e\u0424\u0438\u043b\u0438\u043f \u0412\u0438\u0448\u045a\u0438\u045b\u201d.<br><br> \u0415\u0440\u0430\u043a\u043e\u0432\u0438\u045b, \u0412\u0438\u0434\u043e\u0441\u0430\u0432\u0430. 2015. \u201e\u0422\u0438\u0442\u043e\u0432\u0430 \u2018\u0430\u043c\u0435\u0440\u0438\u0447\u043a\u0430 \u0442\u0443\u0440\u043d\u0435\u0458\u0430\u2019 1963. \u0433\u043e\u0434\u0438\u043d\u0435 \u2013 \u043f\u043e\u0441\u0435\u0442\u0430 \u0411\u0440\u0430\u0437\u0438\u043b\u0443, \u0427\u0438\u043b\u0435\u0443, \u0411\u043e\u043b\u0438\u0432\u0438\u0458\u0438, \u041f\u0435\u0440\u0443\u0443 \u0438 \u0421\u0458\u0435\u0434\u0438\u045a\u0435\u043d\u0438\u043c \u0410\u043c\u0435\u0440\u0438\u0447\u043a\u0438\u043c \u0414\u0440\u0436\u0430\u0432\u0430\u043c\u0430\u201d. <em>\u0410\u0440\u0445\u0438\u0432 XVI<\/em> (1\u20132): 168\u2013181.<br><br>\u017divoti\u0107, \u0410leksandar. 2008. \u201eJugoslavija i Bliski Istok (1945\u20131956)\u201d. U <em>Spoljna politika Jugoslavije 1950\u20131961. Zbornik radova<\/em>, ur. Slobodan Selini\u0107, 483\u2013496. Beograd: Institut za noviju istoriju Srbije.<br><br> Jovanovi\u0107, Vladimir. 1996. <em>Beogradska opera u Evropi. Gostovanja od 1954. do 1969. godine.<\/em> Novi Sad: Prometej i Akademija umetnosti.<br><br>\u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440. 1999. <em>\u0415\u0432\u0440\u043e\u043f\u0441\u043a\u0430 \u0441\u0432\u0435\u0434\u043e\u0447\u0430\u043d\u0441\u0442\u0432\u0430 \u043e \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u043e\u0458 \u043e\u043f\u0435\u0440\u0438. \u0413\u043e\u0441\u0442\u043e\u0432\u0430\u045a\u0430 \u043e\u0434 1939. \u0434\u043e 1969. \u0433\u043e\u0434\u0438\u043d\u0435<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0424\u043e\u0442\u043e \u0424\u0443\u0442\u0443\u0440\u0430.<br><br>\u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440. 2020. <em>\u0421\u0442\u043e \u0433\u043e\u0434\u0438\u043d\u0430 \u041e\u043f\u0435\u0440\u0435 \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0433 \u043f\u043e\u0437\u043e\u0440\u0438\u0448\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0427\u0438\u0433\u043e\u0458\u0430.<br><br>\u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045b, \u041c\u0438\u043b\u0438\u0446\u0430. 1994.<em> \u0411\u0430\u043b\u0435\u0442 \u041d\u0440\u043e\u0434\u043d\u043e\u0433 \u043f\u043e\u0437\u043e\u0440\u0438\u0448\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443. 1. \u041f\u0440\u0432\u0438\u0445 \u0441\u0435\u0434\u0430\u043c\u0434\u0435\u0441\u0435\u0442 \u0433\u043e\u0434\u0438\u043d\u0430<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041d\u0430\u0440\u043e\u0434\u043d\u043e \u043f\u043e\u0437\u043e\u0440\u0438\u0448\u0442\u0435.<br><br>\u201e\u0408\u0443\u0433\u043e\u0441\u043b\u043e\u0432\u0435\u043d\u0441\u043a\u0438 \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u0438 \u0443 \u0438\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0443 \u043f\u043e\u0432\u043e\u0434\u043e\u043c 29 \u043d\u043e\u0432\u0435\u043c\u0431\u0440\u0430\u201d. 1950. <em>\u041c\u0443\u0437\u0438\u043a\u0430 <\/em>4: 123\u2013132.<br><br>\u041a\u0440\u0435\u0458\u0438\u045b, \u041f\u0440\u0435\u0434\u0440\u0430\u0433. 2006. \u201e\u041f\u0440\u0438\u0437\u043d\u0430\u045a\u0435 \u041a\u0440\u0430\u0459\u0435\u0432\u0438\u043d\u0435 \u0421\u0440\u0431\u0430, \u0425\u0440\u0432\u0430\u0442\u0430 \u0438 \u0421\u043b\u043e\u0432\u0435\u043d\u0430\u0446\u0430 \u043e\u0434 \u0441\u0442\u0440\u0430\u043d\u0435 \u0434\u0440\u0436\u0430\u0432\u0430 \u0408\u0443\u0436\u043d\u0435 \u0438 \u0426\u0435\u043d\u0442\u0440\u0430\u043b\u043d\u0435 \u0410\u043c\u0435\u0440\u0438\u043a\u0435\u201d, <em>\u0410\u0440\u0445\u0438\u0432 VII <\/em>(1\u20132): 81\u201391.<br><br>\u041b\u0430\u043a\u0435\u0440, \u0412\u043e\u043b\u0442\u0435\u0440. 1999. <em>\u0418\u0441\u0442\u043e\u0440\u0438\u0458\u0430 \u0415\u0432\u0440\u043e\u043f\u0435 1945\u20131992<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: Clio.<br><br>\u041b\u043e\u043d\u0433\u0432\u043e\u0440\u0442, \u0424\u0438\u043b\u0438\u043f. 2002. <em>\u0421\u0442\u0432\u0430\u0440\u0430\u045a\u0435 \u0418\u0441\u0442\u043e\u0447\u043d\u0435 \u0415\u0432\u0440\u043e\u043f\u0435. \u041e\u0434 \u043f\u0440\u0435\u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0435 \u0434\u043e \u043f\u043e\u0441\u0442\u043a\u043e\u043c\u0443\u043d\u0438\u0437\u043c\u0430<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: Clio.<br><br> Medi\u0107, Ivana. 2007. \u201eThe Ideology of Moderated Modernism in Serbian Music and Musicology\u201d, <em>\u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0433\u0438\u0458\u0430\/Musicology<\/em> 7: 279\u2013294.<br><br> \u041c\u0438\u043b\u0430\u043d\u043e\u0432\u0438\u045b, \u0411\u0438\u0459\u0430\u043d\u0430. 2010. \u201e\u0427\u0430\u0441\u043e\u043f\u0438\u0441 \u041c\u0443\u0437\u0438\u043a\u0430 \u043a\u0430\u043e \u0437\u0430\u0441\u0442\u0443\u043f\u043d\u0438\u043a \u0458\u0443\u0433\u043e\u0441\u043b\u043e\u0432\u0435\u043d\u0441\u043a\u043e-\u0447\u0435\u0445\u043e\u0441\u043b\u043e\u0432\u0430\u0447\u043a\u0438\u0445 \u043c\u0443\u0437\u0438\u0447\u043a\u0438\u0445 \u0432\u0435\u0437\u0430 \u043d\u0430 \u0438\u0437\u043c\u0430\u043a\u0443 \u0434\u0440\u0443\u0433\u0435 \u0434\u0435\u0446\u0435\u043d\u0438\u0458\u0435 20. \u0432\u0435\u043a\u0430\u201d. \u0423 <em>\u041f\u0440\u0430\u0433 \u0438 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u0438 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0458\u0435 \u0438\u0437 \u041a\u0440\u0430\u0459\u0435\u0432\u0438\u043d\u0435 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435<\/em>, \u0443\u0440. \u041c\u0438\u0440\u0458\u0430\u043d\u0430 \u0412\u0435\u0441\u0435\u043b\u0438\u043d\u043e\u0432\u0438\u045b \u0425\u043e\u0444\u043c\u0430\u043d \u0438 \u041c\u0435\u043b\u0438\u0442\u0430 \u041c\u0438\u043b\u0438\u043d, 141\u2013160. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u043e \u0434\u0440\u0443\u0448\u0442\u0432\u043e \u0421\u0440\u0431\u0438\u0458\u0435.<br><br> \u041c\u0438\u043b\u0430\u043d\u043e\u0432\u0438\u045b, \u0411\u0438\u0459\u0430\u043d\u0430. 2014. \u201e\u0418\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u043e \u043c\u0443\u0437\u0438\u0447\u043a\u043e \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0459\u0430\u045a\u0435 \u041c\u043e\u043a\u0440\u0430\u045a\u0446\u0430 \u0438 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u043e\u0433 \u043f\u0435\u0432\u0430\u0447\u043a\u043e\u0433 \u0434\u0440\u0443\u0448\u0442\u0432\u0430 \u043a\u0430\u043e \u0432\u0438\u0434 \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0435 \u0434\u0438\u043f\u043b\u043e\u043c\u0430\u0442\u0438\u0458\u0435\u201d. \u0423 <em>\u0421\u0442\u0435\u0432\u0430\u043d \u0421\u0442\u043e\u0458\u0430\u043d\u043e\u0432\u0438\u045b \u041c\u043e\u043a\u0440\u0430\u045a\u0430\u0446 (1856\u20131914). \u0418\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u0435 \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u043d\u0435 \u0442\u0443\u0440\u043d\u0435\u0458\u0435 \u0441\u0430 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u0438\u043c \u043f\u0435\u0432\u0430\u0447\u043a\u0438\u043c \u0434\u0440\u0443\u0448\u0442\u0432\u043e\u043c<\/em>, \u0443\u0440. \u0411\u0438\u0459\u0430\u043d\u0430 \u041c\u0438\u043b\u0430\u043d\u043e\u0432\u0438\u045b, 13\u201345. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0421\u0410\u041d\u0423 \u0438 \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u043e \u0434\u0440\u0443\u0448\u0442\u0432\u043e \u0421\u0440\u0431\u0438\u0458\u0435.<br><br> \u041c\u0438\u043b\u0430\u043d\u043e\u0432\u0438\u045b, \u0411\u0438\u0459\u0430\u043d\u0430. 2018. <em>\u041c\u0443\u0437\u0438\u0447\u043a\u0435 \u043f\u0440\u0430\u043a\u0441\u0435 \u0443 \u0421\u0440\u0431\u0438\u0458\u0438 \u0438 \u0444\u043e\u0440\u043c\u0438\u0440\u0430\u045a\u0435 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e\u0433 \u043c\u0443\u0437\u0438\u0447\u043a\u043e\u0433 \u043a\u0430\u043d\u043e\u043d\u0430.<\/em> \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0421\u0410\u041d\u0423.<br><br> Milanovi\u0107, Biljana. 2020. \u201eSounding the Turn to the West: Music and Diplomacy of Yugoslavia Aft er the Split with the USSR and the countires of people\u2019s democracy (1949\u20131952)\u201d. U <em>The Tunes of Diplomatic Notes. Music and Diplomacy in the Southeast Europe (18th\u201320th century)<\/em>, ur. Ivana Vesi\u0107, Vesna Peno i Bo\u0161tjan Udovi\u010d, 185\u2013202. Belgrade\u2013Ljubljana: Institute of Musicology SASA, University of Ljubljana \u2013 Faculty of Social Sciences.<br><br> Mileti\u0107, Sr\u0111an. 2008. \u201eJugoslavija i zemlje Magreba 1956\u20131958\u201d, <em>Spoljna politika Jugoslavije 1950\u20131961, Zbornik radova<\/em>. Beograd: Institut za noviju istoriju Srbije, 497\u2013512.<br><br> \u041c\u0438\u043b\u0438\u043d, \u041c\u0435\u043b\u0438\u0442\u0430 1998. <em>\u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e \u0438 \u043d\u043e\u0432\u043e \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u043c\u0443\u0437\u0438\u0446\u0438 \u043f\u043e\u0441\u043b\u0435 \u0414\u0440\u0443\u0433\u043e\u0433 \u0441\u0432\u0435\u0442\u0441\u043a\u043e\u0433 \u0440\u0430\u0442\u0430 (1945\u20131965)<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0421\u0440\u043f\u0441\u043a\u0435 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0458\u0435 \u043d\u0430\u0443\u043a\u0430 \u0438 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438.<br>Milin, Melita. 2006. \u201eEtape modernizma u srpskoj muzici\u201d. <em>Muzikologija\/Musicology<\/em> 6: 93\u2013116. <br><br> \u041c\u0438\u043b\u043e\u0440\u0430\u0434\u043e\u0432\u0438\u045b, \u0413\u043e\u0440\u0430\u043d. 2012. <em>\u041b\u0435\u043f\u043e\u0442\u0430 \u043f\u043e\u0434 \u043d\u0430\u0434\u0437\u043e\u0440\u043e\u043c. \u0421\u043e\u0432\u0458\u0435\u0442\u0441\u043a\u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0438 \u0443\u0442\u0438\u0446\u0430\u0458\u0438 \u0443 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0438 1945-1955<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0441\u0430\u0432\u0440\u0435\u043c\u0435\u043d\u0443 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443.<br><br> \u041citrovi\u0107, Andrej. 1983. <em>Anga\u017eovano i lepo. Umetnost u razdoblju svetskih ratova (1914\u20131945)<\/em>.<br>Beograd: Narodna knjiga.<br><br> \u041f\u0435\u0458\u043e\u0432\u0438\u045b, \u0420\u043e\u043a\u0441\u0430\u043d\u0434\u0430. 2006. \u201e\u0425\u043e\u0440\u043e\u0432\u0438 \u0443 \u043c\u0443\u0437\u0438\u0447\u043a\u043e\u043c \u0436\u0438\u0432\u043e\u0442\u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0430 \u0443 \u043f\u0440\u0432\u0438\u043c \u0433\u043e\u0434\u0438\u043d\u0430\u043c\u0430 \u043f\u043e\u0441\u043b\u0435 \u0414\u0440\u0443\u0433\u043e\u0433 \u0421\u0432\u0435\u0442\u0441\u043a\u043e\u0433 \u0440\u0430\u0442\u0430 (1944\u2013 1950)\u201d, <em>\u041d\u043e\u0432\u0438 \u0437\u0432\u0443\u043a \u2013 \u0418\u043d\u0442\u0435\u0440\u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438 \u0447\u0430\u0441\u043e\u043f\u0438\u0441 \u0437\u0430 \u043c\u0443\u0437\u0438\u043a\u0443 <\/em>28: 39\u201349.<br><br> \u041f\u0435\u0440\u0438\u0448\u0438\u045b, \u041c\u0438\u0440\u043e\u0441\u043b\u0430\u0432. 2007. \u201e\u0412\u0435\u043b\u0438\u043a\u0438 \u0437\u0430\u043e\u043a\u0440\u0435\u0442 1950: \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0430 \u0443 \u0442\u0440\u0430\u0433\u0430\u045a\u0443 \u0437\u0430 \u0432\u043b\u0430\u0441\u0442\u0438\u0442\u0438\u043c \u043f\u0443\u0442\u0435\u043c. \u041a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u043e\u0441\u043b\u043e\u043d\u0430\u0446, \u043f\u0440\u0435\u0442\u0445\u043e\u0434\u043d\u0438\u0446\u0430 \u0438 \u0441\u0430\u0441\u0442\u0430\u0432\u043d\u0438 \u0434\u0435\u043e \u0441\u043f\u043e\u0459\u043d\u0435 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0435\u201d. U <em>Pisati istoriju Jugoslavije: vi\u0111enje srpskog faktora<\/em>, ur. Mile Bjelajac, 237\u2013279. Beograd: Institut za noviju istoriju Srbije.<br><br> Petranovi\u0107, Branko. 1989. <em>Istorija Jugoslavije 1918\u20131988. III. Socijalisti\u010dka Jugoslavija 1945\u20131988<\/em>.Beograd: Nolit.<br><br> \u041f\u0435\u0442\u0440\u0430\u043d\u043e\u0432\u0438\u045b, \u043f\u0440\u043e\u0444. \u0434\u0440. \u0411\u0440\u0430\u043d\u043a\u043e. 1998. <em>\u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0430 \u043d\u0430 \u0440\u0430\u0437\u043c\u0435\u0452\u0443 (1945\u20131950)<\/em>. \u041f\u043e\u0434\u0433\u043e\u0440\u0438\u0446\u0430: \u0426\u0440\u043d\u043e\u0433\u043e\u0440\u0441\u043a\u0430 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0458\u0430 \u043d\u0430\u0443\u043a\u0430 \u0438 \u0443\u043c\u0458\u0435\u0442\u043d\u043e\u0441\u0442\u0438.<br><br> \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u045b, \u0409\u0443\u0431\u043e\u043c\u0438\u0440. 2002. \u201e\u041a\u0443\u043b\u0442\u0443\u0440\u043d\u0435 \u0432\u0435\u0437\u0435 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 \u0438 \u0410\u043b\u0431\u0430\u043d\u0438\u0458\u0435 1946\u20131948\u201d. <em>\u0418\u0441\u0442\u043e\u0440\u0438\u0458\u0430 \u0432\u0435\u043a\u0430 XX<\/em> (2): 61\u201388.<br><br> \u201e\u041f\u0440\u043e\u0433\u043b\u0430\u0441 \u0414\u0440\u0443\u0433\u043e\u0433 \u043c\u0435\u0452\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0433 \u043a\u043e\u043d\u0433\u0440\u0435\u0441\u0430 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0442\u043e\u0440\u0430 \u0438 \u043c\u0443\u0437\u0438\u0447\u043a\u0438\u0445 \u043f\u0438\u0441\u0430\u0446\u0430\u201c. 1948. <em>\u041c\u0443\u0437\u0438\u043a\u0430 <\/em>1: 103\u2013104.<br><br> \u0422\u0438\u043c\u043e\u0444\u0435\u0458\u0435\u0432, \u041b\u0435\u043e\u043d\u0438\u0434 \u0418\u0432\u0430\u043d\u043e\u0432\u0438\u0447. 1950. <em>\u0422\u0435\u043e\u0440\u0438\u0458\u0430 \u043a\u045a\u0438\u0436\u0435\u0432\u043d\u043e\u0441\u0442\u0438<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041f\u0440\u043e\u0441\u0432\u0435\u0442\u0430.<br><br> \u0422\u043e\u043c\u0430\u0448\u0435\u0432\u0438\u045b, \u041a\u0430\u0442\u0430\u0440\u0438\u043d\u0430. 2009. <em>\u041d\u0430 \u0440\u0430\u0441\u043a\u0440\u0448\u045b\u0443 \u0418\u0441\u0442\u043e\u043a\u0430 \u0438 \u0417\u0430\u043f\u0430\u0434\u0430. \u041e \u0434\u0438\u0458\u0430\u043b\u043e\u0433\u0443 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e\u0433 \u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0433 \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u043c\u0443\u0437\u0438\u0446\u0438 (1918\u20131941)<\/em>. \u0411\u0435\u043e\u0433\u0440\u0430\u0434 \u2013 \u041d\u043e\u0432\u0438 \u0421\u0430\u0434: \u041c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0448\u043a\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0421\u0410\u041d\u0423 \u0438 \u041c\u0430\u0442\u0438\u0446\u0430 \u0441\u0440\u043f\u0441\u043a\u0430.<br><br> \u0425\u043e\u0444\u043c\u0430\u043d, \u0418\u0432\u0430\u043d. 2006. \u201e\u041f\u043e\u0434 \u0441\u0442\u0435\u0433\u043e\u043c \u041f\u0430\u0440\u0442\u0438\u0458\u0435. \u041c\u0443\u0437\u0438\u043a\u0430 \u0441\u043e\u0446\u0438\u0458\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u043a\u043e\u0433 \u0440\u0435\u0430\u043b\u0438\u0437\u043c\u0430 \u2013 \u043f\u0440\u0438\u043c\u0435\u0440\u0438 \u0421\u0421\u0421\u0420 \u0438 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435\u201d. <em>\u0413\u043e\u0434\u0438\u0448\u045a\u0430\u043a \u0437\u0430 \u0434\u0440\u0443\u0448\u0442\u0432\u0435\u043d\u0443 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 XII <\/em>(1\u20133\/2005): 41\u201365.<br><br> Hofman, Ivan. 2008. \u201eUloga muzi\u010dkog folklora u spoljnoj poltici socijalisti\u010dke Jugoslavije 1950\u20131952\u201d. U <em>Spoljna politika Jugoslavije 1950\u20131961. Zbornik radova<\/em>, ur. Slobodan Selini\u0107, 437\u2013456. Beograd: Institut za noviju istoriju Srbije.<br><br> \u0425\u043e\u0444\u043c\u0430\u043d, \u0418\u0432\u0430\u043d. 2013. \u201e\u0428\u043a\u043e\u043b\u0430 \u0441\u043e\u0446\u0438\u0458\u0430\u043b\u0438\u0437\u043c\u0430. \u041e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u045a\u0435 \u0438 \u0432\u0430\u0441\u043f\u0438\u0442\u0430\u045a\u0435 \u0448\u043a\u043e\u043b\u0441\u043a\u0435 \u043e\u043c\u043b\u0430\u0434\u0438\u043d\u0435 \u043d\u0430 \u0440\u0430\u0434\u043d\u0438\u043c \u0430\u043a\u0446\u0438\u0458\u0430\u043c\u0430 1946\u20131951\u201c. <em>\u0422\u043e\u043a\u043e\u0432\u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0435 1<\/em>: 202\u2013230.<br><br> \u0425\u043e\u0444\u043c\u0430\u043d, \u0418\u0432\u0430\u043d. 2022. \u201e\u0421\u0430\u0432\u0435\u0437\u043d\u0430 \u043a\u043e\u043c\u0438\u0441\u0438\u0458\u0430 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0435 \u0432\u0435\u0437\u0435 \u0441\u0430 \u0438\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e\u043c, \u0438\u0437\u0432\u043e\u0440 \u0437\u0430 \u043f\u0440\u043e\u0443\u0447\u0430\u0432\u0430\u045a\u0435 \u0441\u043f\u043e\u0459\u043d\u0435 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0435 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0435 1949\u20131971. \u0433\u043e\u0434\u0438\u043d\u0435\u201d. <em>\u0410\u0440\u0445\u0438\u0432\u0441\u043a\u0430 \u0433\u0440\u0430\u0452\u0430 \u0443 \u0442\u0435\u043e\u0440\u0438\u0458\u0438 \u0438 \u043f\u0440\u0430\u043a\u0441\u0438. \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u0440\u0430\u0434\u043e\u0432\u0430 5<\/em>, \u0443\u0440. \u0421\u043b\u043e\u0431\u043e\u0434\u0430\u043d\u043a\u0430 \u0426\u0432\u0435\u0442\u043a\u043e\u0432\u0438\u045b, 66\u201380. \u0411\u0435\u043e\u0433\u0440\u0430\u0434 \u2013 \u041d\u043e\u0432\u0438 \u0421\u0430\u0434: \u0410\u0440\u0445\u0438\u0432\u0438\u0441\u0442\u0438\u0447\u043a\u043e \u0434\u0440\u0443\u0448\u0442\u0432\u043e \u0421\u0440\u0431\u0438\u0458\u0435 \u0438 \u0410\u0440\u0445\u0438\u0432 \u0412\u043e\u0458\u0432\u043e\u0434\u0438\u043d\u0435.<br><br> \u0425\u0440\u0435\u045a\u0438\u043a\u043e\u0432, \u0422\u0438\u0445\u043e\u043d. 1949. \u201e\u041a\u0443\u0434\u0430 \u0438\u0434\u0435 \u0440\u0430\u0437\u0432\u043e\u0458 \u043c\u0443\u0437\u0438\u043a\u0435?\u201c. <em>\u041c\u0443\u0437\u0438\u043a\u0430 <\/em>2: 1\u201315.<br><br> \u010cavo\u0161ki, Jovan. 2008. \u201eJugoslavija i Azija (1947\u20131953)\u201d. U <em>Spoljna politika Jugoslavije 1950\u20131961. Zbornik radova<\/em>, ur. Slobodan Selini\u0107, 526\u2013543. Beograd: Institut za noviju istoriju Srbije.<br><br> \u010celebonovi\u0107, Aleksa. 1974. <em>Ulep\u0161ani svet: Slikarstvo bur\u017eoaskog realizma od 1860 do 1914<\/em>. Beograd: Jugoslavija.<\/p>\n\n\n\n<p><strong>ELEKTRONSKI IZVORI<\/strong><\/p>\n\n\n\n<p>\u201eInternational Musical Eisteddfod, Llangollen\u201d, https:\/\/international-eisteddfod.co.uk\/ (\u043f\u0440\u0438\u0441\u0442\u0443\u043f\u0459\u0435\u043d\u043e 12. 9. 2024).<br>\u201eSol Hurok\u201c, https:\/\/en.wikipedia.org\/wiki\/Sol_Hurok (\u043f\u0440\u0438\u0441\u0442\u0443\u043f\u0459\u0435\u043d\u043e 18. 9. 2024).<br><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEOBJAVLJENA ARHIVSKA GRA\u0110A Arhiv Jugoslavije Beograd Muzikolo\u0161ki institut SANU, Beograd Muzej pozori\u0161ne umetnosti Srbije, Beograd Istra\u017eiva\u010dko-dokumentacioni centar Narodnog Pozori\u0161ta u Beogradu Arhiva Beogradske filharmonije Arhiva Ansambla narodnih pesama i igara Kolo, Beograd Arhiva Akademskog kulturno-umetni\u010dkog dru\u0161tvo Branko Krsmanovi\u0107, Beograd Arhiva porodice \u010cangalovi\u0107, Beograd Arhiva \u017divojina Zdravkovi\u0107a, Beograd OBJAVLJENA ARHIVSKA GRA\u0110A \u0414\u043e\u043a\u043d\u0438\u045b, \u0434\u0440 \u0411\u0440\u0430\u043d\u043a\u0430, \u041c\u0438\u043b\u0438\u045b \u0424. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5155","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/comments?post=5155"}],"version-history":[{"count":7,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5155\/revisions"}],"predecessor-version":[{"id":5299,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/5155\/revisions\/5299"}],"wp:attachment":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/media?parent=5155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}