{"id":47,"date":"2023-12-09T10:08:10","date_gmt":"2023-12-09T10:08:10","guid":{"rendered":"https:\/\/appmes.rs\/?page_id=47"},"modified":"2026-03-26T21:58:21","modified_gmt":"2026-03-26T21:58:21","slug":"publications","status":"publish","type":"page","link":"https:\/\/appmes.rs\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n

2022<\/h2>\n\n\n\n
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  1. Bralovi\u0107, Milo\u0161. 2022. \u201cRecycling Postmodernism. Trendsetters, Trends and \u2018Pandora\u2019, Double Concerto for Violin, Violoncello and Orchestra by Lazar \u0110or\u0111evi\u0107\u201d, INSAM Journal of Contemporary Music, Art and Technology<\/em> 9, 123\u2013135, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13499<\/a> <\/li>\n\n\n\n
  2. Bralovi\u0107, Milo\u0161. 2022. \u201cDve tokate za klavir i guda\u010dki orkestar Mihovila Logara\u201d, Slovenika<\/em> 8, 61\u201374, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13688<\/a>  <\/li>\n\n\n\n
  3. Dumni\u0107 Vilotijevi\u0107, Marija, and Danka Laji\u0107 Mihajlovi\u0107 (eds.) Journal Muzikologija-Musicology<\/em> No 33. 2022. Themed Issue: Sound Heritage in Ethnomusicology and Musicology<\/em>. Editor-in-Chief: Danka Laji\u0107 Mihajlovi\u0107, Guest Editor: Marija Dumni\u0107 Vilotijevi\u0107, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13722<\/a><\/li>\n\n\n\n
  4. Dumni\u0107 Vilotijevi\u0107, Marija (ed.). 2022. Rukopisna zbirka Jovana Frajta. Fragmenti istorije instrumentalne gradske narodne muzike<\/em>. Belgrade, Institute of Musicology SASA, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13727<\/a> <\/li>\n\n\n\n
  5. Jovanovi\u0107, Jelena. 2024. \u201cContemporary Summer Village Assemblies in Central Serbia and (Generational) Performative Practices of Older and Newer Rural Vocal Layers\u201d. Introductory study. In: \u0141ukasz Smoluch, Bo\u017cena Muszkalska, Danka Laji\u0107 Mihajlovi\u0107, Drago Kunej, Mat\u0115j Kratochvil (eds.), Interdisciplinary Studies in Musicology<\/em>. Poznan: Institute of Musicology, Adam Mickiewicz, 7\u201320. https:\/\/doi.org\/10.14746\/ism.2022.22.1<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16703<\/a><\/li>\n\n\n\n
  6. Laji\u0107 Mihajlovi\u0107, Danka (ed). Journal Muzikologija-Musicology<\/em> No. 32. 2022. Themed issue: Discography as a Scientific Source<\/em>, https:\/\/muzikologija-musicology.com\/index.php\/MM\/issue\/view\/no-32<\/a> <\/li>\n\n\n\n
  7. Laji\u0107 Mihajlovi\u0107, Danka and Bojana Radovanovi\u0107. 2022. \u201cBlack (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia\u201d. Metal Music Studies<\/em> 8 (2): 225\u2013243. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13151<\/a><\/li>\n\n\n\n
  8. Laji\u0107 Mihajlovi\u0107, Danka, David Pokrajac and Sa\u0161a Spasojevi\u0107. 2022. “Gramophone Records of the Singer Mijat Mijatovi\u0107: From (Re)construction of Discography to the Study of Recorded Music”, Muzikologija-Musicology<\/em> 32, 41\u201381, https:\/\/muzikologija-musicology.com\/index.php\/MM\/article\/view\/24<\/a>, https:\/\/doi.org\/10.2298\/MUZ2232041L<\/a> <\/li>\n\n\n\n
  9. Laji\u0107 Mihajlovi\u0107, Danka. 2022. “O\u010duvanje muzi\u010dkog nasle\u0111a u Srbiji: kompetencije, menad\u017ement i monitoring” [Safeguarding of musical heritage in Serbia: competences, management and monitoring]. In: Smiljana \u0110or\u0111evi\u0107 Beli\u0107, Danka Laji\u0107 Mihajlovi\u0107, and Biljana Sikimi\u0107 (eds.), Savremena srpska folkloristika XI<\/em> [Contemporary Serbian Folkloristics, XI]. Udu\u017eenje folklorista Srbije, Beograd \u2013 Univerzitetska biblioteka \u201eSvetozar Markovi\u0107\u201d, Beograd \u2013 Centar za kulturu \u201eVuk Karad\u017ei\u0107\u201d, Loznica \u2013 Nau\u010dno-obrazovno kulturni centar \u201eVuk Karad\u017ei\u0107\u201d, Tr\u0161i\u0107. Beograd \u2013 Loznica \u2013 Tr\u0161i\u0107 2022: 97\u2013116, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13357<\/a> <\/li>\n\n\n\n
  10. Laji\u0107 Mihajlovi\u0107, Danka. 2022. “Nau\u010dnici kao deo mre\u017ee za o\u010duvanje nematerijalnog kulturnog nasle\u0111a u Srbiji: iskustva etnomuzikologa” “Nau\u010dnici kao deo mre\u017ee za o\u010duvanje nematerijalnog kulturnog nasle\u0111a u Srbiji: iskustva etnomuzikologa” [Scholars as Part of the Network of Safeguarding Intangible Cultural Heritage in Serbia: Experiences of an Ethnomusicologist]. In: Jelenka Pandurevi\u0107 (ed), Naslje\u0111e i identitet(i)<\/em> [Heritage and Identities], Banja Luka: Centar za folkloristiku i studije kulture (CEFISK), Filolo\u0161ki fakultet Univerziteta u Banjoj Luci, 45\u201366, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/14235<\/u><\/a> <\/li>\n\n\n\n
  11. Maglov, Marija. 2022. “Aspects of Interaction between Radio and Recording Industry: Example of the His Master\u2019s Voice concerts on Radio Belgrade Programme”, Muzikologija-Musicology<\/em> 32, 83\u2013108, https:\/\/muzikologija-musicology.com\/index.php\/MM\/article\/view\/26<\/a>, https:\/\/doi.org\/10.2298\/MUZ2232083M<\/a> <\/li>\n\n\n\n
  12. Maglov, Marija. 2022. Review of the book “Phonographic Encounters: Mapping Traditional Cultures of Sound, 1890-1945\u201d, Muzikologija-Musicology<\/em> No. 33, 261\u2013264, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13724<\/a>  <\/li>\n\n\n\n
  13. Maglov, Marija. 2022. “Hidden Grooves: Reconstructing Jugodisk Record Production (c. 1951\u20131958)\u201d, Arti Musices<\/em> II, 53, 315\u2013341, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13730<\/a><\/li>\n\n\n\n
  14. Marinkovi\u0107, Milo\u0161. 2022. “Reactions to the first Music Biennale Zagreb (1961) in Belgradian Daily Newspapers”, Muzikologija-Musicology<\/em> 32, 199\u2013224, https:\/\/muzikologija-musicology.com\/index.php\/MM\/article\/view\/32<\/a>, https:\/\/doi.org\/10.2298\/MUZ2232199M<\/a> <\/li>\n\n\n\n
  15. Marjanovi\u0107, Nata\u0161a (ed.). 2022. “Korneliju u spomen. Letnja \u0161kola crkvenog pojanja \u2013 trideset godina trajanja. 1992\u20132022.” [Dedicated to Kornelije Stankovic. Summer School of Church Chanting \u2013 On the thirtieth anniversary. 1992-2022]. CD Edition. Society for the Safeguarding of Tradition and the development of Sremski Karlovci, and Prometej Novi Sad, in collaboration with the Institute of Musicology SASA. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13380<\/a>  <\/li>\n\n\n\n
  16. Medi\u0107, Ivana. 2022. \u201cApplied Musicology: A \u2018Manifesto\u2019, and a Case Study of a Lost Cultural Hub\u201d, Muzikologija-Musicology<\/em> No. 33, 87\u2013102, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13723<\/a>  <\/li>\n\n\n\n
  17. Medi\u0107, Ivana. 2022. “Legal Aliens: Serbian Composers in Western Europe Today”, Contemporary Music Review<\/em> No. 41, 5\u20136, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13721<\/a>, https:\/\/doi.org\/10.1080\/07494467.2022.2152217<\/a> <\/li>\n\n\n\n
  18. Radovanovi\u0107, Bojana. 2022. \u201cTikTok and Sound. Changing the Ways of Creating, Promoting and Listening to Music”, INSAM Journal of Contemporary Music, Art and Technology<\/em> 9, 51\u201373, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/13485<\/a> <\/li>\n<\/ol>\n\n\n\n

    2023<\/h2>\n\n\n\n
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    1. Laji\u0107 Mihajlovi\u0107, Danka (ed.) Journal Muzikologija-Musicology<\/em> No. 35. 2023. Themed issue: Music Festivals<\/em>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16261<\/a><\/li>\n\n\n\n
    2. Jovanovi\u0107, Jelena and Milo\u0161 Bralovi\u0107. 2023. \u201cSolo Song Inscription<\/em> for Mezzo-soprano and Piano from Vladimir Lj. Jovanovi\u0107’s Early Opus\u201d. In: Ana Stefanovi\u0107, Dragana Stojanovi\u0107-Novi\u010di\u0107 and Igor Radeta (eds.), Stanislav Vinaver i muzika [Stanislav Vinaver and Music], Belgrade and \u0160abac, Faculty of Music and Stanislav Vinaver Foundation, 108\u2013124. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/15802<\/a><\/li>\n\n\n\n
    3. Maglov, Marija. 2023. “Agency Festivals in Serbia: An Introduction”, Muzikologija-Musicology<\/em> No. 35, 53-66, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16265<\/a> <\/li>\n\n\n\n
    4. Maglov, Marija. 2023. “78rpm at Home: Local Perspectives on the Early Recording Industry, International Symposium, Academy of Music, Zagreb and online, 8\u201311 March 2023”, Muzikologija-Musicology<\/em> 34, 169\u2013173, https:\/\/muzikologija-musicology.com\/index.php\/MM\/article\/view\/95\/103<\/a><\/li>\n\n\n\n
    5. Marinkovi\u0107, Milo\u0161. 2023. “Festival ‘Muzika u Srbiji’ kao ‘permanentna dru\u0161tvena obaveza muzi\u010dkih radnika'”, Muzikologija-Musicology<\/em> No. 35, 105-126, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16268<\/a><\/li>\n\n\n\n
    6. Marjanovi\u0107, Nata\u0161a (ed.) 2023. CD O Lord, Save Thy People. Serbian Church Chant – in the monasteries in Serbia in the second half of the 20th century.<\/em> Edition: Sound Treasury. Belgrade, Institute of Musicology SASA, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16300<\/a><\/li>\n\n\n\n
    7. Medi\u0107, Ivana. 2023. \u201cThe Cicvari\u0107s as Pioneers of Cultural Entrepreneurship in Serbia\u201d. Konservatoryum \/ Conservatorium<\/em>, 10, Special Issue 1, 65\u201375. http:\/\/doi.org\/10.26650\/CONS2023-1281994<\/a>,  https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16043<\/a> <\/li>\n\n\n\n
    8. Milanovi\u0107, Biljana (ed.) 2023. Critical Edition of the sheet music score: Milenko Paunovi\u0107, Divina Tragoedia<\/em>, music drama. Edited by Biljana Milanovi\u0107, notography Lazar \u0110or\u0111evi\u0107, redaction Biljana Milanovi\u0107 and Milo\u0161 Bralovi\u0107. Belgrade, Institute of Musicology SASA, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16305<\/a> <\/li>\n\n\n\n
    9. Radovanovi\u0107, Bojana and Milo\u0161 Bralovi\u0107. 2023. \u201cActivist Musicology and Informal Multimedia Archives: The Case of YouTube Channel \u2018Serbian Composers\u2019\u201d. Arts<\/em> 12, no. 5: 184, 1\u201313, https:\/\/doi.org\/10.3390\/arts12050184<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/14881<\/a> <\/li>\n\n\n\n
    10. Radovanovi\u0107, Bojana. 2023. “Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice”, in Iva Neni\u0107 and Linda Cimardi (eds.), Women’s Leadership in Music: Modes, Legacies, Alliances,<\/em> Bielefeld: Transcript Verlag, 213\u2013223. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/14232<\/a>, https:\/\/doi.org\/10.14361\/9783839465462<\/a>  <\/li>\n\n\n\n
    11. Toma\u0161evi\u0107, Katarina, Bojana Radovanovi\u0107 and Vanja Grbovi\u0107 (eds.) 2023. Dragutin Gostu\u0161ki\u2019s Oblique Angle.<\/em> Book of Abstracts. Belgrade, Institute of Musicology SASA, 23-24 November 2023. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/15603<\/a><\/li>\n<\/ol>\n\n\n\n

      2024<\/h2>\n\n\n\n
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      1. Bralovi\u0107, Milo\u0161. 2024. \u201cThe Avant-Garde Inspired by the Universe: Josip Slavenski\u2019s Cycle Misterij (Mystery) \u2013 Concept, Plot and Realized Parts\u201d. Lietuvos muzikologija \/ Lithuanian Musicology<\/em> 25: 43\u201365, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17483<\/a> <\/li>\n\n\n\n
      2. Bralovi\u0107, Milo\u0161. 2024. \u201eIz kolekcije plo\u010da Josipa Slavenskog \u2013 od istra\u017eivanja muzi\u010dkog folklora do njegove primene u komponovanju\u201d [On Josip Slavenski\u2019s Record Collection \u2013 From his Research of Musical Folklore to its Application in Composing]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 130\u2013158. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.130B<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17351<\/a>\u00a0<\/li>\n\n\n\n
      3. Dumni\u0107 Vilotijevi\u0107, Marija. 2024. \u201ePerspektive primenjenoetnomuzikolo\u0161kog rada s tra\u017eiocima azila u Beogradu\u201d [Perspectives of Applied Ethnomusicological Work with Asylum Seekers in Belgrade]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 159\u2013177. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.159DV<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17348<\/a> <\/li>\n\n\n\n
      4. Dumni\u0107 Vilotijevi\u0107, Marija, Milo\u0161 Bralovi\u0107, Stefan Savi\u0107. 2024. \u201eKa novim \u010ditanjima\/slu\u0161anjima digitalizovanih ‘razgovora o nauci i umetnosti’\u201d [Towards New Reading\/Listening of the Digitised ‘Conversations on Science and Art’]. In: Katarina Toma\u0161evi\u0107, Bojana Radovanovi\u0107 (eds.), Isko\u0161eni ugao Dragutina Gostu\u0161kog<\/em> [Dragutin Gostu\u0161ki’s Oblique Angle], Belgrade: SASA, 409\u2013429. DOI: 10.46793\/DGOST23.409DV<\/a>, https:\/\/hdl.handle.net\/21.15107\/rcub_dais_17312<\/a><\/li>\n\n\n\n
      5. Gostu\u0161ki, Dragutin. 2024. Vreme umetnosti: Prilog zasnivanju jedne op\u0161te nauke o umetnostima. <\/em>Drugo izdanje. [The Time of Art. A Contribution to Establishing a General Theory of Art. Second Edition]. Edited, with preface by Katarina Toma\u0161evi\u0107 and Bojana Radovanovi\u0107. Belgrade: Institute of Musicology SASA, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16537<\/a> <\/li>\n\n\n\n
      6. Grbovi\u0107, Vanja. 2024. \u201eO mogu\u0107nostima zapo\u0161ljavanja i profesionalnom razvoju muzikologa van tradicionalnih akademskih okvira\u201d [On Employment Opportunities and Professional Development of Musicologists Outside Traditional Academic Frameworks]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 249\u2013260. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.249G<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17346<\/a> <\/li>\n\n\n\n
      7. Jovanovi\u0107, Jelena. 2024. Oj, jabuko zeleniko: radionice srpskog tradicionalnog pevanja i njegovi nastavlja\u010di<\/em> [Oh! You Green Apple Tree: Serbian Traditional Singing Workshops and Upholders]. CD Booklet. Belgrade and Ni\u0161: Institute of Musicology SASA and Serbian Academy of Sciences and Arts \u2013 Department of SASA in Ni\u0161, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17540<\/a> <\/li>\n\n\n\n
      8. Jovanovi\u0107, Jelena. 2024. “Traditional Songs and Their Messages in the Corona Period: An Experience from Serbia”, Folklore, Electronic Journal of Folklore<\/em> 94: 15\u201340. https:\/\/doi.org\/10.7592\/FEJF2024.94.jovanovic<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17164<\/a>.<\/li>\n\n\n\n
      9. Laji\u0107 Mihajlovi\u0107, Danka, Sa\u0161a Spasojevi\u0107 and Dragoljub David Pokrajac. 2024. \u201e\u2018Prova\u0111ajmo slavu gramofona\u2019: po\u010deci srpske diskografije\u201d [Celebrate the Glory of the Gramphone: The Beginnings of Serbian Discography]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 13\u201399. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.013LM<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17352<\/a>  <\/li>\n\n\n\n
      10. Laji\u0107 Mihajlovi\u0107, Danka. 2024. \u201cCD Review: Marija Dumni\u0107 Vilotijevi\u0107 (Ed.): Narodna muzika Vranja\u201d [Folk Music of Vranje]. Slovensk\u00fd n\u00e1rodopis \/ Slovak Ethnology<\/em> 72(1): 126\u2013131, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16702<\/a> <\/li>\n\n\n\n
      11. Maglov, Marija. 2024. \u201eRadiofonski muzikolo\u0161ki eseji u Radionici zvuka<\/em> Radio Beograda\u201d [Radiophonic Musicological Essays in the Sound Workshop<\/em> of Radio Belgrade]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 201\u2013227. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.201M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17347<\/a> <\/li>\n\n\n\n
      12. Marinkovi\u0107, Milo\u0161. 2024. \u201eObele\u017eavanje jubileja Muzikolo\u0161kog instituta Srpske akademije nauka i umetnosti\u201d [Celebrating the Jubilees of the Institute of Musicology of the Serbian Academy of Sciences and Arts]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 228\u2013248. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.228M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17344<\/a> <\/li>\n\n\n\n
      13. Marinkovi\u0107, Milo\u0161. 2024. \u201cRemi<\/em> Dragutina Gostu\u0161kog: od nagrade Hrvatskog narodnog kazali\u0161ta do premijere na Muzi\u010dkom bijenalu Zagreb\u201d [Dragutin Gostu\u0161ki\u2019s Ballet Rummy<\/em>: From the Award of the Croatian National Theatre to the Premiere at the Music Biennale Zagreb]. In: Katarina Toma\u0161evi\u0107 and Bojana Radovanovi\u0107 (eds.), Isko\u0161eni ugao Dragutina Gostu\u0161kog<\/em> [Dragutin Gostu\u0161ki\u2019s Oblique Angle]. Belgrade: Institute of Musicology SASA, 211\u2013234. DOI: https:\/\/doi.org\/10.46793\/DGOST23.211M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17311<\/a><\/li>\n\n\n\n
      14. Marinkovi\u0107, Milo\u0161. 2024. \u201cBig Festival Jubilee. Review of the 60th Music Panel (November 3\u20135, 2023)\u201d. New Sound: International Journal of Music<\/em> 63: 125\u2013129, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16754<\/a> <\/li>\n\n\n\n
      15. Marinkovi\u0107, Milo\u0161, and Snje\u017eana \u0110uki\u0107 \u010camur. 2024. \u201eStvarala\u0161tvo Vojina Komadine na repertoaru Muzi\u010dkog bijenala Zagreb\u201d [The Works of Vojin Komadina in the Repertoire of the Zagreb Music Biennale]. Zbornik radova Akademije umetnosti \/ Collection of Papers of the Academy of Arts<\/em> 12: 65\u201383, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17127<\/a> <\/li>\n\n\n\n
      16. Marinkovi\u0107, Milo\u0161, and Vanja Grbovi\u0107. 2024. \u201eGlasovi izme\u0111u kultura: \u2018burundijski odjeci\u2019 u delima kompozitorki Stanislave Gaji\u0107 i Dorotee Vejnovi\u0107\u201d [Voices Between Cultures: \u2018Echoes of Burundi\u2019 in the Works of Composers Stanislava Gaji\u0107 and Dorotea Vejnovi\u0107]. Zbornik Matice srpske za scenske umetnosti i muziku<\/em> 71: 63\u201383. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17331<\/a> <\/li>\n\n\n\n
      17. Marjanovi\u0107, Nata\u0161a. 2024. \u201eLetnja \u0161kola crkvenog pojanja \u2018Korneliju u spomen\u2019 (1993\u20132024): izme\u0111u muzikolo\u0161kih istra\u017eivanja i prakti\u010dnog negovanja tradicije\u201d [Summer School of Church Singing \u2018In Memory of Kornelije\u2019 (1993\u20132024): Between Musicological Research and Practical Safeguarding of Tradition]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 100\u2013129. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.100M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17350<\/a>  <\/li>\n\n\n\n
      18. Marjanovi\u0107, Nata\u0161a. 2024. \u201eArhivski zvu\u010dni snimci srpskog crkvenog pojanja u Muzikolo\u0161kom institutu SANU: zvuci \u017eive tradicije kao izvori za istra\u017eivanje\u201d  [Archival Sound Recordings of the Serbian Church Chant in the Institute of Musicology SASA: Sounds of Live Tradition as Sources for Research]. Muzikologija-Musicology<\/em> 36: 193\u2013221. DOI: https:\/\/doi.org\/10.2298\/MUZ2436193M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/16677<\/a> <\/li>\n\n\n\n
      19. Medi\u0107, Ivana (ed.) 2024. Special Issue of the journal Arts<\/em>: Applied Musicology and Ethnomusicology<\/em>, ISSN 2076-0752, MDPI, Basel, Switzerland, https:\/\/www.mdpi.com\/journal\/arts\/special_issues\/ZR576P8KR5<\/a> <\/li>\n\n\n\n
      20. Medi\u0107, Ivana (ed.) 2024. Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA. DOI: https:\/\/doi.org\/10.46793\/MuzikSR<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17353<\/a> <\/li>\n\n\n\n
      21. Medi\u0107, Ivana. 2024. \u201ePrimenjena muzikologija i autoetnografija \u2013 na primeru vlastite muzikolo\u0161ko-pijanisti\u010dke prakse\u201d [Applied Musicology and Autoethnography \u2013 On the Example of My Own Musicological-Pianistic Practice]. In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 261\u2013272. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.261M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17345<\/a> <\/li>\n\n\n\n
      22. Medi\u0107, Ivana. 2024. \u201eKinemuzika<\/em> Dragutina Gostu\u0161kog (i \u0161ta bi Gostu\u0161ki mislio o kvantnoj muzici<\/em>\u201d [Dragutin Gostu\u0161ki\u2019s Cinemusic<\/em> (And What Would Gostu\u0161ki Think About Quantum Music<\/em>)]. In: Katarina Toma\u0161evi\u0107 and Bojana Radovanovi\u0107 (eds.), Isko\u0161eni ugao Dragutina Gostu\u0161kog<\/em> [Dragutin Gostu\u0161ki\u2019s Oblique Angle]. Belgrade: Institute of Musicology SASA, 321\u2013358. DOI: https:\/\/doi.org\/10.46793\/DGOST23.321M<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17314<\/a>\u00a0<\/li>\n\n\n\n
      23. Milanovi\u0107, Biljana and Ivan Hofman. 2024. Muzi\u010dka diplomatija Jugoslavije (1945\u20131971). Katalog<\/em> [Music Diplomacy of Yugoslavia (1945-1971). Catalogue]. Belgrade: Institute of Musicology SASA, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17152<\/a> <\/li>\n\n\n\n
      24. Radovanovi\u0107, Bojana. 2024. \u201ePrimenjena muzikologija i ekstremni glas: o nastanku kompozicije Psalm<\/em> Juga Markovi\u0107a\u201d [Applied Musicology and Extreme Voice: On the Making of Jug Markovi\u0107\u2019s Composition Psalm<\/em>] In: Ivana Medi\u0107 (ed.), Primenjena muzikologija i etnomuzikologija u Srbiji<\/em> [Applied Musicology and Ethnomusicology in Serbia]. Belgrade: Institute of Musicology SASA, 178\u2013200. DOI: https:\/\/doi.org\/10.46793\/MuzikSR.178R<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17349<\/a>  <\/li>\n\n\n\n
      25. Radovanovi\u0107, Bojana. 2024. \u201eGlas kao poligon za \u2019genetski in\u017eenjering\u2019 na savremenoj srpskoj muzi\u010dkoj sceni\u201d [Voice as a Polygon for the \u201cGenetic Engineering\u201d on the Contemporary Serbian Music Scene]. In: Biljana Milanovi\u0107 and Melita Milin (eds.), Savremena srpska muzi\u010dka scena: istra\u017eiva\u010dki izazovi <\/em>[Contemporary Serbian Stage Music: Research Challenges]. Belgrade: Serbian Academy of Sciences and Arts, 129\u2013149. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17335<\/a> <\/li>\n\n\n\n
      26. Toma\u0161evi\u0107, Katarina, and Bojana Radovanovi\u0107 (eds.). 2024. Isko\u0161eni ugao Dragutina Gostu\u0161kog<\/em> [Dragutin Gostu\u0161ki\u2019s Oblique Angle]. Belgrade: Institute of Musicology SASA. DOI: https:\/\/doi.org\/10.46793\/DGOST23<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17323<\/a>  <\/li>\n\n\n\n
      27. Toma\u0161evi\u0107, Katarina. 2024. \u201cDragutin Gostu\u0161ki. Skica za portret \u2013 Prilozi za biografiju: iz malo poznatih izvora \u2013\u201c [Dragutin Gostu\u0161ki. Sketch for a Portrait \u2013 Contributions to his Biography: From little-known Sources \u2013]. In: Katarina Toma\u0161evi\u0107 and Bojana Radovanovi\u0107 (eds.), Isko\u0161eni ugao Dragutina Gostu\u0161kog<\/em> [Dragutin Gostu\u0161ki\u2019s Oblique Angle]. Belgrade: Institute of Musicology SASA, 3\u201335. DOI: https:\/\/doi.org\/10.46793\/DGOST23.003T<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17319<\/a> <\/li>\n\n\n\n
      28. Toma\u0161evi\u0107, Katarina. 2024. \u201cDragutin Gostu\u0161ki \u2013 Bibliografija radova\u201d [Dragutin Gostu\u0161ki \u2013 Bibliography of Works]. In: Katarina Toma\u0161evi\u0107 and Bojana Radovanovi\u0107 (eds.), Isko\u0161eni ugao Dragutina Gostu\u0161kog<\/em> [Dragutin Gostu\u0161ki\u2019s Oblique Angle]. Belgrade: Institute of Musicology SASA, 463\u2013495. DOI: https:\/\/doi.org\/10.46793\/DGOST23.463T<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17369<\/a> <\/li>\n<\/ol>\n\n\n\n

        2025<\/h2>\n\n\n\n
          \n
        1. Grbovi\u0107, Vanja. 2025. “Nagrade i nagra\u0111ivanje u oblasti muzike\/muzikologije na prostoru SFRJ\/Republike Srbije” [Awards and Rewards in the Field of Music\/Musicology in the former Yugoslavia\/Republic of Serbia]. In: Lana \u0160ehovi\u0107 (ed.), Zbornik radova: 13. Me\u0111unarodni simpozij “Muzika u dru\u0161tvu”<\/em> [The Collection of Papers: 13th International Symposium “Music in Society”]. Sarajevo: Muzikolo\u0161ko dru\u0161tvo Federacije Bosne i Hercegovine, Univerzitet u Sarajevu \u2013 Muzi\u010dka akademija, 417\u2013442. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17837<\/a> <\/li>\n\n\n\n
        2. Laji\u0107 Mihajlovi\u0107, Danka, and Bojana Radovanovi\u0107. 2025 (forthcoming). “Rana diskografija u kulturnom ekosistemu Srbije: remedijacija ciklusa pesama Mijatovke<\/em>” [Early Discography in the Cultural Ecosystem of Serbia: Remediation of the Song Cycle Mijatovke<\/em>], 262\u2013280. <\/li>\n\n\n\n
        3. Laji\u0107 Mihajlovi\u0107, Danka. 2025 (forthcoming). “Komercijalne gramofonske plo\u010de kao izvori u etnomuzikolo\u0161kim istra\u017eivanjima srpske muzike” [Commercial Gramophone Records as Sources in Ethnomusicological Research on Serbian Music]. Savremena srpska folkloristika<\/em> 14. <\/li>\n\n\n\n
        4. Maglov, Marija. 2025. “Radiofonski muzi\u010dki esej i primenjena muzikologija: Ono malo \u010dega se se\u0107am<\/em> Ivane Tri\u0161i\u0107” [Radiophonic Music Essay and Applied Musicology: Ono malo \u010dega se se\u0107am<\/em> by Ivana Tri\u0161i\u0107]. In: Lana \u0160ehovi\u0107 (ed.), Zbornik radova: 13. Me\u0111unarodni simpozij “Muzika u dru\u0161tvu”<\/em> [The Collection of Papers: 13th International Symposium “Music in Society”]. Sarajevo: Muzikolo\u0161ko dru\u0161tvo Federacije Bosne i Hercegovine, Univerzitet u Sarajevu \u2013 Muzi\u010dka akademija, 375\u2013395. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17799<\/a><\/li>\n\n\n\n
        5. Marinkovi\u0107, Milo\u0161. 2025. “Muzi\u010dki festivali i primenjena muzikologija: jedno jugoslovensko iskustvo” [Music Festivals and Applied Musicology: A Yugoslav Experience]. In: Lana \u0160ehovi\u0107 (ed.), Zbornik radova: 13. Me\u0111unarodni simpozij “Muzika u dru\u0161tvu”<\/em> [The Collection of Papers: 13th International Symposium “Music in Society”]. Sarajevo: Muzikolo\u0161ko dru\u0161tvo Federacije Bosne i Hercegovine, Univerzitet u Sarajevu \u2013 Muzi\u010dka akademija, 397\u2013416. https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17814<\/a><\/li>\n\n\n\n
        6. Medi\u0107, Ivana. 2025. “Applied Musicology and the Responsibility for Shaping the Cultural Scene in Serbia: On the Experience of Working for the Serbian Ministry of Culture”. Arts<\/em> 14(3), 45. https:\/\/doi.org\/10.3390\/arts14030045<\/a>, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/17833<\/a><\/li>\n\n\n\n
        7. Medi\u0107, Ivana, and Mirko Jeremi\u0107 (eds.). 2025. Stevan K. Hristi\u0107: SUTON<\/em> [The Twilight], a musical drama in one act with a ballet divertissement, based on a libretto after the play Suton<\/em> (The Twilight) from The Dubrovnik Trilogy<\/em> by Ivo Vojnovi\u0107. Belgrade: Serbian Musicological Society and the Institute of Musicology SASA. Volume 1: Full Score, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/18939<\/a>. Volume 2: Ballet Divertissement and Afterword, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/18899<\/a>. Volume 3: Piano Vocal Score, https:\/\/dais.sanu.ac.rs\/handle\/123456789\/18918<\/a>.<\/li>\n\n\n\n
        8. Radovanovi\u0107, Bojana, and Teodora Trajkovi\u0107. 2025. “Beogradski Rossi fest u svetlu savremenih strategija muzi\u010dkih festivala” [Exploring Belgrade\u2019s Rossi Fest in Light of Contemporary Music Festival Strategies]. In: Lana \u0160ehovi\u0107 (ed.), Zbornik radova: 13. Me\u0111unarodni simpozij “Muzika u dru\u0161tvu”<\/em> [The Collection of Papers: 13th International Symposium “Music in Society”]. Sarajevo: Muzikolo\u0161ko dru\u0161tvo Federacije Bosne i Hercegovine, Univerzitet u Sarajevu \u2013 Muzi\u010dka akademija, 353\u2013373. https:\/\/dais.sanu.ac.rs\/123456789\/17818<\/a><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

          2022 2023 2024 2025<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":34,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":5570,"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/pages\/47\/revisions\/5570"}],"wp:attachment":[{"href":"https:\/\/appmes.rs\/index.php\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}